Flute Choir (F-L)

This piece has echoes of the minimalism of John Adams. Ostinato rhythms in the low register of the ensemble are associated with rhythmic cycles of 3 and 4 in the middle and upper registers. The composition is characterized by blocks of sound with offset overlapping of rhythmic and melodic motifs that create a texture that is very rhythmically articulated yet euphonic, and from which spring harmonies resulting from the overlap of the repeating melodic lines of the individual instruments. The form is divided into 3 parts (ABA), in a modal style where the Doric order dominates the composition. The title comes from the composer's love of inventing nicknames for members of his family, especially his wife, to whom it is dedicated.

Flute ensemble: piccolo, 3 flutes, 2 alto flutes, bass flute.

This Agnus Dei is from Faure's 'Messe de Requiem', and is written for 4 standard flutes (octave divisi in the 1st flute), alto flute, bass flute, and piano. The beautifully expressive version for flute choir is arranged by David Heywood.

Apres un Reve Op. 7, No. 1

Faure, G

The most well known song from Faure's 'Trois Melodies'. This arrangement shares lyrical the tune between 2 fls and alto, with the gentle accompanying quavers shared between the other players

A delicious flutey arrangement of this well known piece, also famous as the theme from 'Listen with Mother'.

A delicious flutey arrangement of this well known piece for 6 C flutes.

A lovely arrangement of this classic piece from the flute repertoire. The solo flute part is unchanged and is supported here by a flute choir. The accompanying parts are relatively simple, ranging from grade 4 to 6 in standard. Just as beautiful as the original, with a mournful opening section that is transformed into an exuberant romp showing the solo flute in full flight! A great chance to shine a new light on a perennial classic. Includes score and parts.

This is a charming and elegant little waltz from Faure's Dolly Suite. Its playful character is perfect for flute quintet.

This arrangement of a classic flute repertoire piece retains the original flute part as a solo line in the solo alto flute, with the accompaniment being taken by the low flutes. The solo is approximately grade 7, with the accompaniment parts being very straightforward.

Flute Ensemble - solo alto flute, alto flute, bass flute, contralto flute, contrabass flute, optional sub-contrabass flute.

This arrangement of a classic flute repertoire piece retains the original flute part as a solo line, with the accompaniment being taken by the low flutes. The solo is approximately grade 7, with the accompaniment parts being very straightforward. Includes score and parts.

This exquisite work was arranged for the Marcel Moyse Memorial.

Instrumentation: 6 C Flutes, Piano, Alto Flute (optional for Flute 4 or 5), Bass Flute (optional for Flute 6), Flute 2 doubles on Piccolo

From Faure's well-known Requiem, this was originally scored for solo treble voice and strings. 1990 NFA Newly Published Music Competition - Winner.

Instrumentation: 4 C Flutes, Alto Flute (or C Flute), Bass Flute.

Originally for Soprano solo, this movement is taken from Faure's Requiem. This peaceful work makes the most of close harmonies between the instruments, and would also be suitable for an advanced group.

A beautiful addition to any flute choir program. Instrumentation: 5 C Flutes, 2 Alto Flutes (or C Flutes), Bass Flute (or C Flute), Piano/Harp

This beautiful Faure piece was originally written for 'cello and piano, but has appeared in many different arrangements, most famously for flute and piano. This version for flute quintet completely captures the mood of the original, with its dolce melody and rippling accompaniment.

The Palms (Les Rameaux)

Faure, J-B

Rick Pierce presents this arrangement of Jean Baptiste Faure's The Palms, for solo C flute or voice, 3 C flutes, alto flute, and bass flute. A perfect setting for Palm Sunday.

Cassation

Feld, J

Cassation for 9 flutes

Nocturne No. 5

Field, J

John Field was an Irish composer, contemporary with Beethoven, whose music embraces the Romantic aesthetic which was emerging in all the arts of the time. Field wrote a large number of compositions, among them being 27 nocturnes (including Number 5) which ably demonstrate the delicacy of his compositional technique. Nocturne No. 5 is a beautiful, restful work which can provide an excellent contrast to more technically oriented works to help demonstrate the full range of expression which the flute choir is extremely well suited to produce.

Scored for 3 C flutes, alto and bass.

Musicians Publications presents Henry Fillmore s The Circus Bee arranged for flute choir plus by Bill Holcombe. Scored for 4 C flutes, alto flute, and bass flute, this arrangement also includes optional parts for bassoon, bass clarinet, or cello, as well as an optional drum set part to add to your ensemble when available.

The Circus Bee is a circus march or screamer. It is a celebration of sorts for the fact that Henry Fillmore (1881 1956) and his father, who managed their publishing business, finally agreed that Henry could publish his music even though it did not meet the elder Fillmore's standard of being religious music. It is named after an imaginary circus newspaper and reflects Fillmore's lifelong interest in circuses and his varied experiences while touring with five different big top shows. Henry Fillmore was a prolific composer of waltzes, foxtrots, hymns, novelty numbers and overtures. He is best-known for his marches and screamers. Born in Cincinnati, he mastered piano, guitar, violin, and flute, and the slide trombone, which at first he played in secret, as his conservative religious father considered it an uncouth and sinful instrument. He traveled widely as a circus bandmaster with his wife, an exotic dancer, and directed the Shriners Temple Band.

- Palatine Concert Band, 2019