Flute & 2 Strings

  • Bach, CPE :: Quartet in G

    Quartet in G

    Bach, CPE

    • $30.00
  • Bach, J :: Eisteddfod
    • 10% OFF

    Bach, J :: Eisteddfod

    Eisteddfod
    Bach, J

    Jan Bach presents Eisteddfod - Variations and Peenillion on a Welsh Harp tune - for flute, viola, and harp. A full concert fantasy written in Jan Bach's particularly quasi-Impressionist style.

    • $25.16
  • Bach, JCF :: 6 Quartette, No. 2 in G Major

    6 Quartette, No. 2 in G Major

    Bach, JCF

    Instrumentation includes flute, violin and viola with either basso continuo or cello.

    • $23.95
  • Bach, JS :: Suite C-Moll [Suite in C minor]

    Despite its popularity, Johann Sebastian Bach’s Suite in C Minor has always remained something of a mystery. Even its earliest known editions are highly ambiguous about the instrumentation, which is highly unusual for the composer. The result is the existence of a large number of arrangements for a variety of different instrument combinations including this one calling for flute, two violins, and continuo. The suite consists of four movements: Prelude, Fugue, Sarabande and Gigue and is recommended for intermediate to advanced players.

    • $18.95
  • Beethoven, L :: An Arrangement of Beethoven's 7th Symphony

    An Arrangement of Beethoven's 7th Symphony

    Beethoven, L

    This arrangement by Johann Neopmuk Hummel of Beethoven's Seventh Symphony, created for flute, violin, cello, and piano, was created by permission from the composer. Here Falls House supplies a facsimile reproduction of this work.

    • $17.99
  • Beethoven, L :: Flotenserenade op. 25 [Flute Serenade op. 25]
    • 10% OFF

    Beethoven, L :: Flotenserenade op. 25 [Flute Serenade op. 25]

    What occasioned Beethoven to write a composition for such an unusual and yet sonorous group of instruments? Was it perhaps commissioned by a nobleman who played music with such a group and needed music? Whatever the reason behind it, opus 25 is one of Beethoven's few chamber music works that did not have a bass instrument. Despite the unusual combination of instruments, Beethoven had no difficulty in finding a publisher for his serenade; shortly afterwards he even turned to the work again and revised an arrangement for flute and piano (op. 41), which had been made by a third party. Our revised edition follows the musical text which will soon be published in volume VI/1 of our new Beethoven Complete Edition.

    This is the study score only. Parts are sold separately.

    • $10.76
  • Beethoven, L :: Flotenserenade op. 25 [Flute Serenade op. 25]
    • 10% OFF

    Beethoven, L :: Flotenserenade op. 25 [Flute Serenade op. 25]

    What occasioned Beethoven to write a composition for such an unusual and yet sonorous group of instruments? Was it perhaps commissioned by a nobleman who played music with such a group and needed music? Whatever the reason behind it, opus 25 is one of Beethoven's few chamber music works that did not have a bass instrument. Despite the unusual combination of instruments, Beethoven had no difficulty in finding a publisher for his serenade; shortly afterwards he even turned to the work again and revised an arrangement for flute and piano (op. 41), which had been made by a third party. Our revised edition follows the musical text which will soon be published in volume VI/1 of our new Beethoven Complete Edition.

    This contains the set of parts. The study score is sold separately.

    • $21.56
  • Beethoven, L :: Serenade D-dur op. 25 [Serenade in D Major op. 25]
    • 10% OFF

    Beethoven, L :: Serenade D-dur op. 25 [Serenade in D Major op. 25]

    Serenade D-dur op. 25 [Serenade in D Major op. 25]
    Beethoven, L
    • $17.06
  • Beethoven, L :: Serenade in D major, op. 25

    Serenade in D major, op. 25

    Beethoven, L

    International Music Company presents L.V. Beethoven's 'Serenade in D major, op. 25' for flute, violin, and viola. This edition contains the parts only.

    What occasioned Beethoven to write a composition for such an unusual and yet sonorous group of instruments? Was it perhaps commissioned by a nobleman who played music with such a group and needed music? Whatever the reason behind it, opus 25 is one of Beethoven's few chamber music works that did not have a bass instrument. Despite the unusual combination of instruments, Beethoven had no difficulty in finding a publisher for his serenade; shortly afterwards he even turned to the work again and revised an arrangement for flute and piano (op. 41), which had been made by a third party.

    • $19.50
  • Beethoven, L :: Serenade op. 8

    Beethoven’s Serenade no. 8 was originally composed in 1796 or 1797 for violin, viola, and cello as a piece for light, evening entertainment or for amateurs to play. The work was so popular that many other arrangements for different instrumentations soon began to emerge. This arrangement for violin/flute, viola, and guitar was transcribed by Wenzeslaus Thomas Matiegka and  first published in 1807. 

    The piece is divided into movements titled Marcia Allegro non Molto, Adagio, Minuetto Allegretto, Adagio, Polonaise, and Andante quasi Allegretto with variations, and finishing with Allegro.

    • $33.95
  • Beethoven, L :: Trio in D Major op. 87

    Trio in D Major op. 87

    Beethoven, L

    Originally for two oboes and English horn, this charming work is a great piece which can be played by winds or strings in a variety of combinations. Instrumentation: Part 1 - Flute; Part 2 - Violin (or Flute/Oboe); Part 3 - Viola (or Clarinet)

    • $23.00
  • Beethoven, L :: Variationen uber 'Reich mir die Hand, mein Leben' [Variations on 'La ci darem la mano'] WoO 28

    Variationen uber 'Reich mir die Hand, mein Leben' [Variations on 'La ci darem la mano'] WoO 28

    Beethoven, L

    This Trio for flute, violin and viola is an arrangement of the wind trio written in 1796 / 97 by Ludwig van Beethoven for the rather unusual scoring of two oboes and English horn. It was common at the time to paraphrase popular numbers from contemporary operas. Here Beethoven chose to write variations on the duet La ci darem lamano from Mozart s frequently performed Don Giovanni .

    The work was first performed in Vienna on 23 December 1797. In 1794, Beethoven had written his first wind trio in this scoring, Op. 87 in C major. Whereas this work was published in various arrangements soon after its first publication in 1806 by Artaria (including a version for strings by Artaria in Vienna, one for three flutes later in London, one for piano four-hands, and others), the wind trio on La ci darem la mano first appeared in print only in 1914. Beethoven s brother Karl had offered it to Breitkopf & Hartel in 1803 and later to C.F. Peters (in 1822; this time also in an arrangement for two violins and viola). But it was only in 1914 that the work was first published by Breitkopf & Hartel, in both its wind and string versions.

    Beethoven s own arrangements of the first of these wind trios legitimate Barenreiter s version for flute, violin and viola. Moreover, this instrumental combination is particularly appropriate to the unique sound quality of Mozart s duettino with its string and wind scoring. Since all parts are of almost equal importance, this trio guarantees each performer stimulating and gratifying ensemble playing. Barenreiter presents this edition in the form of a score with which the flutists conducts from and two separate string parts for each player.

    • $20.95
  • Bonis, M :: 'Scenes de la foret' ['Scenes of the Forest']
    • 10% OFF

    Bonis, M :: 'Scenes de la foret' ['Scenes of the Forest']

    'Scenes de la foret' ['Scenes of the Forest']

    Bonis, M

    Bonis - Scenes de la foret - Ed. Kossack Cat#98006

    • $35.78
  • Bonis, M :: Suite dans le style ancien [Suite in the Old Style]
    • 10% OFF

    Bonis, M :: Suite dans le style ancien [Suite in the Old Style]

    Suite dans le style ancien [Suite in the Old Style]

    Bonis, M

    Suite dans le style ancien [Suite in the Old Style] for flute, violin, viola (or clarinet) and piano

    • $57.60
  • Brunke, R :: Stjernara
    • 10% OFF

    Brunke, R :: Stjernara

    Stjernara
    Brunke, R

    Regine Brunke's Stjernara for flute, guitar, and cello is a restrained, poetically dreamy and melancholy composition that contains an extended arrangement of the Gotlandic folk song 'Allt under himmelens faste'.

    Duration: 5'. For intermediate players.

    • $14.36
  • Burnette, S :: Cruisin' with the Top Down

    Cruisin' with the Top Down

    Burnette, S

    Cruisin' with the Top Down for flute, harp and viola (with cello part included as substitute for viola)

    • $20.00
  • Caliendo, C :: Allegria [Happiness]
    • 40% OFF

    Caliendo, C :: Allegria [Happiness]

    Allegria [Happiness]
    Caliendo, C
    • $16.17
  • Caliendo, C :: Amor Perdido [Lost Love]
    • 40% OFF

    Caliendo, C :: Amor Perdido [Lost Love]

    Amor Perdido [Lost Love]
    Caliendo, C
    • $11.97
  • Caliendo, C :: Ardiente [Fiery]
    • 40% OFF

    Caliendo, C :: Ardiente [Fiery]

    Ardiente [Fiery]
    Caliendo, C
    • $15.57
  • Caliendo, C :: Despiadado [Desperado]
    • 40% OFF

    Caliendo, C :: Despiadado [Desperado]

    Despiadado [Desperado]
    Caliendo, C
    • $13.17
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