Flute & Piano (V-Z)

  • Vali, R :: Persian Suite Folk Songs Set No. 12E
    • 10% OFF

    Vali, R :: Persian Suite Folk Songs Set No. 12E

    Persian Suite Folk Songs Set No. 12E
    Vali, R
    Critically acclaimed for his integration of ethnic folk music with the Western classical style, Reza Vali has been writing a cycle of Persian songs since 1978. This set is the 12th in the cycle. Each of the movements contains authentic Persian and Armenian folk music as well as melodies written in the manner of folk songs.
    • $40.46
  • Van Brink, M :: Dal Dosai
    • 30% OFF

    Van Brink, M :: Dal Dosai

    Dal Dosai
    Van Brink, M
    Dal Dosai - Sonata for flute and piano.
    • $17.47
  • van de Vate, N :: Four Fantasy Pieces
    • 10% OFF

    van de Vate, N :: Four Fantasy Pieces

    Four Fantasy Pieces
    van de Vate, N

    Nancy van de Vate presents four Fantasy Pieces for flute and piano, with optional alto flute on the third movement.

    • $13.95
  • Vanhal, JB :: Drei leichte Sonaten [Three Easy Sonatas]

    Drei leichte Sonaten [Three Easy Sonatas]

    Vanhal, JB

    Three Easy Sonatas [Drei leichte Sonaten]

    • $22.95
  • Varelas, D :: Bossa
    • 10% OFF

    Varelas, D :: Bossa

    Bossa
    Varelas, D

    Bossa, for flute and piano, was written in 2007 and is a kind of homage to Carlos Antonio Jobim, the father of Bossa Novas. This music is full of Brazilian national color and has the delicate aroma of Bossa Nova. There are beautiful harmonies and rhythms as the piano lines combine with the long flute melody. Listen closely and you can almost feel the warm ocean breeze.

    • $11.69
  • Varelas, D :: Sonata Ardente
    • 10% OFF

    Varelas, D :: Sonata Ardente

    Sonata Ardente
    Varelas, D

    Sonata Ardente was written in 2006-07 and was dedicated to the professor of the Sibelius Academy Mikael Helasvuo, Dmitriy Varelas' former teacher of flute. It was premiered by the composer on flute and the wonderful Hungarian pianist Andrasi Gertrud in Helsinki, at the concert hall of the Sibelius Academy. 'Ardente' means fiery, fervent, passionate and glowing. This sonata consists of several sections:

    First section - Andante espressivo, full of hidden and condensed expressions. There are many 'rubato' phrases, which gives the performer ample space to express emotions. This movement feels like compressed steel spring that can spring open at any moment.

    Second section - Rubato is sort of a cadenza, but written for both players - flute and piano. It's a very beautiful and fiery section; full of waves and explosions. There are many flute effects employed such as voice singing, different tongue articulations, harmonics, hissing, key clicks, etc.

    Third section - Presto is kind of a barbarian dance with very fast virtuoso technique for both flute and piano; full of variable rhythms. It is a very passionate and glowing section. The last climax of this section leads us to the Meno Poco Rubato, which forms an arc with the first section. It remains about condensed expressions, but this time the compressed spring has sprung open to deliver the emotional peak of the work.

    • $22.49
  • Vargas, AP :: Quatro Novos Fragmentos [Four New Fragments]
    • 10% OFF

    Vargas, AP :: Quatro Novos Fragmentos [Four New Fragments]

    Quatro Novos Fragmentos [Four New Fragments]
    Vargas, AP

    Antonio Pinho Vargas presents Quatro Novos Fragmentos [Four New Fragments] for flute and piano. Specifically written to explore various musical ideas - rhythmic angular ostinato, suspended long notes and touches of spectralism, the play between technical passages of flute and piano - the four fragments are intense self-contained ideas create intense uncontained music.

    Duration: 7'. For advanced players.

    • $19.76
  • Various :: A Little Tango in Her Blood: Music from Argentina
    • 10% OFF

    Various :: A Little Tango in Her Blood: Music from Argentina

    Following Alison Young's noted tour of Argentina and the release of her CD, this collection pulls together for the first time her arrangements and editions of music for flute and piano. Included are tangos and milongas as well as a full-length Suite of native dances written by tango legend, Maestro Horacio Salgan.

    • $25.19
  • Various :: Easy Play-Alongs Flute

    Easy Play-Alongs for Flute offers several approachable arrangements in easy to moderately difficult levels, with the opportunity to listen, then 'play along' with a live chamber ensemble on the included CD. Includes pieces from the flute repertoire along with Gisler-Haase's arrangements of other classics.

    • $19.95
  • Vasks, P :: [Konzert] Concerto
    • 10% OFF

    Vasks, P :: [Konzert] Concerto

    [Konzert] Concerto
    Vasks, P

    In the Concerto for Flute and Orchestra, performed for the first time by Michael Faust, Semyon Bychkov and the WDR Symphony Orchestra Cologne in 2009, the burlesque middle movement, with its firm determination reminiscent of Shostakovich, is framed by melancholic outer movements flowing along in serene tranquillity and beauty. Passages with wind chorales and distant ringing of bells alternate with passages the mood of which ranges from meditative via lamenting to euphoric. This piano score is suited for students, soloists and conductors to make themselves familiar with Vasks' contribution to the genre of solo concerto for flute.

    • $43.20
  • Vasks, P :: Aria e danza
    • 10% OFF

    Vasks, P :: Aria e danza

    Aria e danza
    Vasks, P

    Peteris Vasks has added two pieces to the flute and piano repertoire which are well suited for both domestic music-making and concert-hall performances. Aria is a gentle, meditative dialogue between flute and piano in A minor. The second piece, Danza, is a stylised dance with an original rhythm, archaic harmony and playful melody rooted in folkloristic grounds. Peteris Vasks was born in Latvia in 1946. His music often forms a symbiosis of early and modern music techniques. Here, as in most of the other works by the composer, his love of nature plays a special role. Unlike hardly any other composer, he gives nature a musical voice.

    • $28.80
  • Vaughan Williams, R :: Suite de Ballet

    Suite de Ballet

    Vaughan Williams, R

    "Ralph Vaughan Williams was a 20th century English composer, best known for his collections and arrangements of English folk songs. While not one of his better known works, Suite De Ballet for Flute and Piano, composed around 1924, is a prime example of this. Each of the four movements is influenced by or taken from English folk songs and dances.

    The first movement, Improvisation, is slow and lyrical, and meant to sound as if the flute is improvising the ethereal melody. Humoresque is a short, quick and lively movement, which is characteristic of the humoresque genre.

    Although originating in France, the gavotte was also a very popular dance in England. Gavotte, as is common for any gavotte, begins in the middle of a bar, and then continues with an easy dance feel.

    The final movement, Passepied, is the longest and most exciting movement. However, unlike traditional passepied dances, this movement is notated in 2/4, instead of 3/8 or 6/8." - Shey Dillon, 2013

    • $25.50
  • Veracini, FM :: 12 Sonaten I [12 Sonatas Op. 1 Vol. 1]
    • 10% OFF

    Veracini, FM :: 12 Sonaten I [12 Sonatas Op. 1 Vol. 1]

    12 Sonaten I [12 Sonatas Op. 1 Vol. 1]
    Veracini, FM

    Francesco Maria Veracini s 12 Sonatas for flute (or recorder) and basso continuo, published posthumously, were written for the court of Augustus III of Poland as an injection of Venetian culture. Unpublished in the composer s lifetime, the sonatas are now easily available and serve as a highlight of the delicate Venetian baroque style.

    Each sonata opens with a largo or adagio movement that establishes themes and moods, though the latter three movements vary more wildly, with dances and arias interspersed throughout.

    In this volume:

    • Sonata No. 1 in F Major
    • Sonata No. 2 in G Major
    • Sonata No. 3 in d minor
    • $30.38
  • Veracini, FM :: 12 Sonaten II [12 Sonatas Op. 1 Vol. 2]
    • 10% OFF

    Veracini, FM :: 12 Sonaten II [12 Sonatas Op. 1 Vol. 2]

    12 Sonaten II [12 Sonatas Op. 1 Vol. 2]
    Veracini, FM

    Francesco Maria Veracini s 12 Sonatas for flute (or recorder) and basso continuo, published posthumously, were written for the court of Augustus III of Poland as an injection of Venetian culture. Unpublished in the composer s lifetime, the sonatas are now easily available and serve as a highlight of the delicate Venetian baroque style.

    Each sonata opens with a largo or adagio movement that establishes themes and moods, though the latter three movements vary more wildly, with dances and arias interspersed throughout.

    In this volume:

    • Sonata No. 4 in Bb Major
    • Sonata No. 5 in C Major
    • Sonata No. 6 in a minor
    • $33.30
  • Veracini, FM :: 12 Sonaten III [12 Sonatas Op. 1 Vol. 3]
    • 5% OFF

    Veracini, FM :: 12 Sonaten III [12 Sonatas Op. 1 Vol. 3]

    12 Sonaten III [12 Sonatas Op. 1 Vol. 3]

    Veracini, FM

    Francesco Maria Veracini s 12 Sonatas for flute (or recorder) and basso continuo, published posthumously, were written for the court of Augustus III of Poland as an injection of Venetian culture. Unpublished in the composer s lifetime, the sonatas are now easily available and serve as a highlight of the delicate Venetian baroque style.

    Each sonata opens with a largo or adagio movement that establishes themes and moods, though the latter three movements vary more wildly, with dances and arias interspersed throughout.

    In this volume:

    • Sonata No. 7 in c minor
    • Sonata No. 8 in F Major
    • Sonata No. 9 in g minor
    • $35.10
  • Veracini, FM :: 12 Sonaten IV [12 Sonatas Op. 1 Vol. 4]
    • 10% OFF

    Veracini, FM :: 12 Sonaten IV [12 Sonatas Op. 1 Vol. 4]

    12 Sonaten IV [12 Sonatas Op. 1 Vol. 4]
    Veracini, FM

    Francesco Maria Veracini s 12 Sonatas for flute (or recorder) and basso continuo, published posthumously, were written for the court of Augustus III of Poland as an injection of Venetian culture. Unpublished in the composer s lifetime, the sonatas are now easily available and serve as a highlight of the delicate Venetian baroque style.

    Each sonata opens with a largo or adagio movement that establishes themes and moods, though the latter three movements vary more wildly, with dances and arias interspersed throughout.

    In this volume:

    • Sonata No. 10 in d minor
    • Sonata No. 11 in F Major
    • Sonata No. 12 in c minor
    • $33.30
  • Verbesselt, A :: Concerto
    • 10% OFF

    Verbesselt, A :: Concerto

    From the publisher, Gerard Billaudot, August Verbesselt’s Concerto for flute was written in 1952 and premiered in the same year by the Belgian flutist Robert Everaert. Jean-Pierre Rampal who discovered it in 1966, decided to include it in his repertoire. He played it for the first time in 1968, in Brussels (R.T.B.). The percussion, which in this concerto plays an important role,  never runs over the soloist and most often maintains a rhythmic and melodic dialogue with the flute. The first and third parts, of ‘lively tempo’, brilliantly written for the flutist, are interrupted by an andante (without drums) which reveals, among other things, the composer's lyricism.

    Over the years Verbesselt’s style has evolved into a more connected atonal expression, sealed with a personal vision. As complex as it may seem, his writing, naturally oriented towards counterpoint, does not prevent the listener from clearly following the evolution of the melodies, and this despite the apparently intellectual character conferred on it by the use of the series, especially in his last years. August Verbesselt was a prolific 2oth century Belgian composer and flutist.

    • $33.29
  • Verdi, G :: Essentially Verdi
    • 10% OFF

    Verdi, G :: Essentially Verdi

    Essentially Verdi
    Verdi, G
    Essentially Verdi: Four Arias arranged for flute and piano. Includes: La donna e mobile (Rigoletto), Ah! Fors' e lui (La Traviata), Di quella pira (Il Trovatore), Ah si, ben mio (Il Trovatore).
    • $12.38
  • Verdi, G :: Fantaisie sur la Traviata [Fantasy on La Traviata]
    • 10% OFF

    Verdi, G :: Fantaisie sur la Traviata [Fantasy on La Traviata]

    Fantaisie sur la Traviata [Fantasy on La Traviata]

    Verdi, G

    From the publisher, Gerard Billaudot and arranged by Paul-Agricole Genin, Giuseppe Verdi’s Fantaisie sur La Traviata for flute and piano is a collection of themes based on themes from Guiseppe Verdi's opera La Traviata, op. 18. This showpiece is wonderful, especially for those that love opera. This arrangement brilliantly fits the melodies into the voice of the flute and piano. Genin demands utmost control in all registers, embouchure flexibility, clean articulation, and breath support, as well as exceptional technical facility. Giuseppe Verdi was a beloved 19th century Italian opera composer.

    • $20.66
  • Verdi, G :: Fantasie uber 'La Traviata' [Fantasy on 'La Traviata']
    • 10% OFF

    Verdi, G :: Fantasie uber 'La Traviata' [Fantasy on 'La Traviata']

    Fantasie uber 'La Traviata' [Fantasy on 'La Traviata']
    Verdi, G
    This edition of the Traviata Fantasy for flute and piano is based on two popular arrangements by the famous Italian flautists Emanuele Krakamp and Giulio Briccialdi. Both were also composers and produced numerous compositions of their own as well as arrangements of famous works by their contemporaries. Yoel Gamzou has combined both arrangements to create the orchestral version of the Fantasy on La Traviata that is also published by Universal Edition. This publication is part of The Flute Collection, which brings together a range of selected pieces from the international concert life of famous flautists, curated by internationally acclaimed flautist Emmanuel Pahud. For advanced players. Includes score and part.
    • $31.46
Items: 120 of 176