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Complete with historical notes, useful technical information, a comprehensive repertoire list as well as all standard orchestral extracts. Information is also given on the bass flute, flute d'amour, and contra-alto and contra-bass flutes.\u003c\/p\u003e","brand":"Novello Publishing","offers":[{"title":"Default Title","offer_id":46964818936102,"sku":"9780853605560","price":25.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/files\/9780853605560.jpg?v=1744064359"},{"product_id":"badings-h-cavatina","title":"Badings, H :: Cavatina","description":"\u003cspan class=\"NameInDesc\"\u003eCavatina\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eBadings, H\u003c\/span\u003e","brand":"Theodore Presser","offers":[{"title":"Default Title","offer_id":46964818968870,"sku":"680160360666","price":75.0,"currency_code":"USD","in_stock":true}]},{"product_id":"boehm-t-3-lieder-aus-dem-schwanengesang-3-songs-from-schwanengesang","title":"Boehm, T :: 3 Lieder aus dem Schwanengesang [3 Songs from Schwanengesang]","description":"\u003cp\u003e\u003cspan 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Parasol","description":"\u003cspan class=\"NameInDesc\"\u003eParasol\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eLevine, B\u003c\/span\u003e","brand":"Carolyn Nussbaum Music Company","offers":[{"title":"Default Title","offer_id":46964819984678,"sku":"20009","price":8.0,"currency_code":"USD","in_stock":true}]},{"product_id":"levine-b-songs-without-words","title":"Levine, B :: Songs Without Words","description":"\u003cp\u003eSongs Without Words, for alto flute and piano (1972), is a short, tonal work with sad overtones.\u003c\/p\u003e","brand":"Art of Sound Music","offers":[{"title":"Default Title","offer_id":46964820017446,"sku":"AOS959","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/6000000000AOS959_d.jpg?v=1697448388"},{"product_id":"mussorgsky-m-hebrew-song","title":"Mussorgsky, M :: Hebrew Song","description":"\u003cspan class=\"NameInDesc\"\u003eHebrew 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III explores many of the colors and timbres of the alto flute through repeated driving rhythms, interspersed with meditative moments and virtuosic touches.\u003c\/p\u003e","brand":"Metropolis Music Publishers","offers":[{"title":"Default Title","offer_id":46966567797030,"sku":"9790365065417","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790365065417_d.jpg?v=1697477942"},{"product_id":"reinecke-c-weihnachts-sonatine","title":"Reinecke, C :: Weihnachts-Sonatine","description":"\u003cspan class=\"NameInDesc\"\u003eWeihnachts-Sonatine\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eReinecke, C\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eCarl Reinecke's Weihnachts-Sonatine, Op. 251\/3, blends themes from Bach's Christmas Oratorio and Handel's Messiah (Every valley shall be exalted) with traditional Christmas carols 'Silent Night, Holy Night,' 'Vom Himmel hoch,' and 'O du frohliche.' Originally a work for solo piano and later arranged by famed violinst and composer Hans Sitt, this edition of the Weihnachts-Sonatine is a welcomed addition to the alto flute repertoire and an excellent choice for the Advent and Christmas seasons. The work can be performed in its entirety, or also as three separate pieces by playing the sections (quasi-movements) individually.\u003c\/p\u003e","brand":"ALRY Publications","offers":[{"title":"Default Title","offer_id":46966569107750,"sku":"9790302115212","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790302115212_d.jpg?v=1697477959"},{"product_id":"schoenfeld-p-ani-maamin","title":"Schoenfeld, P :: Ani Ma'amin","description":"\u003cspan class=\"NameInDesc\"\u003eAni Ma'amin\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eSchoenfeld, P\u003c\/span\u003e\u003cbr\u003e\u003cp\u003ePaul Schoenfeld s Ani Ma'amin (Hebrew: I Believe), for alto flute and piano, was commissioned by Dr. Christine Potter and premiered at the 2011 National Flute Association's convention in Charlotte, NC. Like other 20th-21st Century composers, Schoenfeld looks for his inspiration in the national spirit, enjoying the mixing of ideas that grew up in entirely different worlds, making them converse, and delighting in the surprises that their interaction evokes.\u003c\/p\u003e\u003cp\u003eAni Ma amin is a lush, deeply Hassidic work that in turns employs virtuosity and the dark melody the alto flute is capable of to create an almost aria-like texture.\u003c\/p\u003e\u003cp\u003eFor advanced players.\u003c\/p\u003e","brand":"Migdal Publishing","offers":[{"title":"Default Title","offer_id":46966569206054,"sku":"9790302115373","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790302115373_d.jpg?v=1697477973"},{"product_id":"bach-js-sonatas-partitas-volume-1-sonatas","title":"Bach, JS :: Sonatas \u0026 Partitas - Volume 1: Sonatas","description":"\u003cspan class=\"NameInDesc\"\u003eSonatas \u0026amp; Partitas - Volume 1: Sonatas\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eBach, JS\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eCarla Rees presents this collection of Bach Sonatas for solo alto flute.\u003c\/p\u003e\u0026lt;\u003cp\u003eArrangements of one kind or another have been at the heart of alto flute repertoire since Boehm's own arrangements of well-known works at the time of the instrument's development in the mid 1850s. For an instrument that lacks its own repertoire before the mid nineteenth century, adapting earlier works provides both useful practice material and a broader range of musical material.\u003c\/p\u003e\u003cp\u003eThis adaptation of the violin Sonatas and Partitas is formed from studying various printed sources, including a facsimile of the composer s manuscript, with slight modifications made (especially in the Fugue movements) to suit a single line instrument and the idiosyncrasies of the alto flute. Articulations are based on those found in the source material, but may be altered to suit the interpretation and requirements of the individual player, as is commonly the case with violin performances. Double stopping has been represented by grace notes, which may be allowed more time or omitted altogether depending on the skill and tastes of the performer.\u003c\/p\u003e\u003cp\u003eAlthough intended for the alto flute (and transposed so that when played on the alto flute the music sounds in the original key), these arrangements may also be played on other members of the flute family.\u003c\/p\u003e\n\u003ch3\u003eContents\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eSonata No. 1 (BWV 1001)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSonata No. 2 (BWV 1003)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSonata No. 2 (BWV 1005)\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tetractys Publishing","offers":[{"title":"Default Title","offer_id":46966643851558,"sku":"TTYS2920191","price":28.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/B0000TTYS2920191_d.jpg?v=1697478674"},{"product_id":"bach-js-sonatas-partitas-volume-2-partitas","title":"Bach, JS :: Sonatas \u0026 Partitas - Volume 2: Partitas","description":"\u003cspan class=\"NameInDesc\"\u003eSonatas \u0026amp; Partitas - Volume 2: Partitas\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eBach, JS\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eCarla Rees presents this collection of Bach Sonatas for solo alto flute.\u003c\/p\u003e\u0026lt;\u003cp\u003eArrangements of one kind or another have been at the heart of alto flute repertoire since Boehm's own arrangements of well-known works at the time of the instrument's development in the mid 1850s. For an instrument that lacks its own repertoire before the mid nineteenth century, adapting earlier works provides both useful practice material and a broader range of musical material.\u003c\/p\u003e\u003cp\u003eThis adaptation of the violin Sonatas and Partitas is formed from studying various printed sources, including a facsimile of the composer s manuscript, with slight modifications made (especially in the Fugue movements) to suit a single line instrument and the idiosyncrasies of the alto flute. Articulations are based on those found in the source material, but may be altered to suit the interpretation and requirements of the individual player, as is commonly the case with violin performances. Double stopping has been represented by grace notes, which may be allowed more time or omitted altogether depending on the skill and tastes of the performer.\u003c\/p\u003e\u003cp\u003eAlthough intended for the alto flute (and transposed so that when played on the alto flute the music sounds in the original key), these arrangements may also be played on other members of the flute family.\u003c\/p\u003e\n\u003ch3\u003eContents\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003ePartita No. 1 (BWV 1002)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePartita No. 2 (BWV 1004)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePartita No. 3 (BWV 1006)\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tetractys Publishing","offers":[{"title":"Default Title","offer_id":46966643917094,"sku":"TTYS2920192","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/B0000TTYS2920192_d.jpg?v=1697478681"},{"product_id":"copley-p-five-aspects","title":"Copley, P :: Five Aspects","description":"\u003cspan class=\"NameInDesc\"\u003eFive Aspects\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eCopley, P\u003c\/span\u003e\u003cbr\u003e\u003cp\u003ePeter Copley s Five Aspects were commissioned in 1984 by Jenny Stinton and first performed by her in Hampstead Town Hall in early 1985. The music needs no detailed description, as the titles of the individual movements are intended to give a helpful idea of the content to follow!\u003c\/p\u003e\u003cp\u003eMovements: Leaps, Duet, Centrepiece, Pendulum, Drone. For advanced players. Duration: 7 minutes approximately.\u003c\/p\u003e","brand":"Tetractys Publishing","offers":[{"title":"Default Title","offer_id":46966643949862,"sku":"TTYS315161","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/A00000TTYS315161_d.jpg?v=1697478686"},{"product_id":"csanyi-wills-m-trystyng","title":"Csanyi-Wills, M :: Trystyng","description":"\u003cspan class=\"NameInDesc\"\u003eTrystyng\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eCsanyi-Wills, M\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eMichael Csanyi-Wills  Trystyng for Alto Flute was written in 2000 and is inspired by Lewis Carroll s set of poems called Phantasmagoria. The Trystyng is the first  Canto  of the set and speaks of a man s return home to find a ghost in his house.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThe Trystyng\u003c\/i\u003e by Lewis Carroll\u003c\/p\u003e\u003cp\u003eOne Winter night, at half-past nine,\u003cbr\u003eCold, tired, and cross, and muddy,\u003cbr\u003eI had come home, too late to dine,\u003cbr\u003eAnd supper, with cigars and wine,\u003cbr\u003eWas waiting in the study.\u003c\/p\u003e\u003cp\u003eThere was a strangeness in the room,\u003cbr\u003eAnd something white and wavy\u003cbr\u003eWas standing near me in the gloom -\u003cbr\u003eI took it for the carpet - broom\u003cbr\u003eLeft by that careless slavey.\u003c\/p\u003e\u003cp\u003eBut presently the thing began\u003cbr\u003eTo shiver and to sneeze:\u003cbr\u003eOn which I said  Come, come, my man!\u003cbr\u003eThat's a most inconsiderate plan,\u003cbr\u003eLess noise there if you please! \u003c\/p\u003e\u003cp\u003e I ve caught a cold , the Thing replies,\u003cbr\u003e Out there upon the landing. \u003cbr\u003eI turned to look in some surprise,\u003cbr\u003eAnd there, before my very eyes,\u003cbr\u003eA Little Ghost was standing!\u003c\/p\u003e","brand":"Tetractys Publishing","offers":[{"title":"Default Title","offer_id":46966644113702,"sku":"TTYS3191141","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/B0000TTYS3191141_d.jpg?v=1697478691"},{"product_id":"gourlay-k-bashraf","title":"Gourlay, K :: Bashraf","description":"\u003cspan class=\"NameInDesc\"\u003eBashraf\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eGourlay, K\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eKaren Gourlay presents Bashraf, for alto or bass flute.\u003c\/p\u003e\u003cp\u003eThe initial inspiration for Bashraf came from Arabic music and an interest in music containing quarter-tones. It is particularly influenced by the Arabic sequences of notes called maqam (plural Maqamat) many of which use altered tuning. Derived from the Persian work peshrev, meaning  that which precedes  , the title refers to a piece of music that is often performed as an opening composition as part of a suite. Similarly, this Bashraf can be performed as the first piece in a recital or programmed amongst other works.\u003c\/p\u003e\u003cp\u003eDuring the early stages of composition, the importance of timbral change and contrast became apparent as an important feature. Opening with three repeated notes, the material contrasts harmonic, normal fingering and multiphonic timbres combined with an increasing intensity of vibrato and tone. Utilizing the flute s potential for a wide variety of tonal colors, the performer is required to alter the sound through techniques including vibrato, alternative fingerings, embouchure changes, key percussion and singing.\u003c\/p\u003e\u003cp\u003eBashraf contains four sections (Khana, plural Khanat) each of which is followed by a recurring passage (taslum) as in the traditional form. Improvisatory in nature, each Khana has its own tempo and varies in character exploring related maqamat. In performance the flute player is encouraged to explore these features; metronome marks are optional. The returning taslum balances this freedom with consistency of tempo, using only one maqam throughout. Developing in complexity at each recurrence, it is as if the refrain is trying to break free of the repeating cycle, never quite succeeding, until recalling a fragment of the second khana on the last bear of the penultimate bar.\u003c\/p\u003e\u003cp\u003eFor the advanced player.\u003c\/p\u003e","brand":"Tetractys Publishing","offers":[{"title":"Default Title","offer_id":46966644310310,"sku":"TTYS715214","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/A00000TTYS715214_d.jpg?v=1697478697"},{"product_id":"graves-b-the-metamorphoses-of-britten","title":"Graves, B :: The Metamorphoses of Britten","description":"\u003cspan class=\"NameInDesc\"\u003eThe Metamorphoses of Britten\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eGraves, B\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eBenjamin Graves  The Metamorphoses of Britten, for solo alto flute or solo flute.\u003c\/p\u003e\u003cp\u003eFrom the composer:\u003c\/p\u003e\u003cp\u003e It is a well know fact that Benjamin Britten, after completing his very British studies - firstly as a teenager with Frank Bridge and then as a student at the Royal College of Music with John Ireland - was set to attend postgraduate studies with Alban Berg in Vienna, but was dissuaded by his parents as well as the RCM staff. This brief part of Britten s history inspired the composition of The Metamorphoses of Britten.\u003c\/p\u003e\u003cp\u003eDestruction of innocence by a higher power is a narrative unavoidable in conjunction with Britten s music and it is starkly considered in his all male opera Billy Budd. The Six Metamorphoses was written as a companion piece to this opera and explores the same theme. It stands to reason then that these two pieces form the cornerstones of my composition. In my piece I drew a parallel between the theme of lost innocence and Britten s thought process when considering studying with Berg. He could have had his romantic innocence destroyed by the higher power of Berg s serialist thinking and so eventually decides against it, or conversely his innocent decision to study with Berg was destroyed by the higher power of his parents and teachers.\u003c\/p\u003e\u003cp\u003eIn movement one I morph the opening of Six Metamorphoses into Salome s motif as it appears when she persuades Narraboth to bring her Jochanaan. This represents decisions being made to succumb to manipulation. Movement two transforms Salome s motif into music from The Rake s Progress, specifically when Anne Trulove bids farewell to Tom Rakewell as he sets off for London with Nick Shadow. Here the transformation begins to take place. This becomes the note B in movement three, the single note that rings across the orchestra when Wozzeck murders Marie in Berg s opera, representing the final product of the transformation. Finally movement four sees the B become the motif played as Billy Budd forgives Captain Vere for condemning him. Here Britten has returned to his original form, all the wiser for the experience. The fifth movement sees all five quotes put together in a single melody in a summing up of the work. \u003c\/p\u003e","brand":"Tetractys Publishing","offers":[{"title":"Default Title","offer_id":46966644375846,"sku":"TTYS7181221","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/B0000TTYS7181221_d.jpg?v=1697478702"},{"product_id":"kwiatkowski-kasnakow-a-four-little-pieces","title":"Kwiatkowski-Kasnakow, A :: Four Little Pieces","description":"\u003cspan class=\"NameInDesc\"\u003eFour Little Pieces\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eKwiatkowski-Kasnakow, A\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eEach of the four little solo pieces by Andrzej Kwiatkowski-Kasnakow were written as little solo feats that show the instrument s character, sound registers, agility, and beauty. Each of them is a quick story like a short song of a bird that hurriedly had to fly away, leaving behind the remembrance of its charm. The first, second, and fourth pieces are for alto flute; the third is for bass.\u003c\/p\u003e\u003cp\u003eFor intermediate players.\u003c\/p\u003e","brand":"Tetractys Publishing","offers":[{"title":"Default Title","offer_id":46966644998438,"sku":"TTYS111193","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/A00000TTYS111193_d.jpg?v=1697478707"},{"product_id":"kwiatkowski-kasnakow-a-suites","title":"Kwiatkowski-Kasnakow, A :: Suites","description":"\u003cspan class=\"NameInDesc\"\u003eSuites\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eKwiatkowski-Kasnakow, A\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eAndrzej Kwiatkowski-Kasnakow presents these 16 Studies for alto and bass flute (designed as 10 for alto and 6 for bass, but they will all work on both instruments), each one concentrating on a particular technical challenge. These are ideal for flute players switching to alto and bass, and are melodically interesting while presenting some challenges for the intermediate to advanced player.\u003c\/p\u003e\u003cp\u003eThe aim of creating these works was to show the alto flute and bass flute as independent, self-sufficient solo instruments. Each part of the suite is also a study for technique and musicality that subsequently makes chapters of the tale.\u003c\/p\u003e","brand":"Tetractys Publishing","offers":[{"title":"Default Title","offer_id":46966645162278,"sku":"TTYS111191","price":28.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/A00000TTYS111191_d.jpg?v=1697478713"},{"product_id":"melvin-a-hyperlodic-interpretations","title":"Melvin, A :: Hyperlodic Interpretations","description":"\u003cspan class=\"NameInDesc\"\u003eHyperlodic Interpretations\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eMelvin, A\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eAdam Melvin presents Hyperlodic Interpretations for solo alto flute.\u003c\/p\u003e\u003cp\u003eFrom the composer:\u003c\/p\u003e\u003cp\u003e The music of saxophonist, flautist \u0026amp; bass clarinetist, Eric Dolphy was a huge influence on my early work both as a composer and as a performer. This short piece for alto flute - an instrument Dolphy did not play but yet seems to somehow embody the instruments he did - is a homage, of sorts, to him. Much of the material is based on his improvisational language while a few of his compositions (Gazzeloni, Something Sweet Something Tender) creep into the music from time to time. The opening introduction is based on the first solo passage he played on his last ever concert (immortalized on the album Last Date) just days before his untimely death in 1964.\u003c\/p\u003e\u003cp\u003eDuration: 3 30. For the advanced player.\u003c\/p\u003e","brand":"Tetractys Publishing","offers":[{"title":"Default Title","offer_id":46966645326118,"sku":"TTYS13512221","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/C000TTYS13512221_d.jpg?v=1697478718"},{"product_id":"morsink-c-andromache","title":"Morsink, C :: Andromache","description":"\u003cspan class=\"NameInDesc\"\u003eAndromache\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eMorsink, C\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eAndromache's Recitativo, Aria and Subtext is a  song  for alto flute, where the words are played rather than sung. The original version is for Kingma System quartertone alto flute, and a version for standard, closed-hole alto flute, is also available, which has been appropriately modified to suit the instrument.\u003c\/p\u003e\u003cp\u003eThe recitativo follows the example of ancient Greek music using the text as a basis for the notes and rhythm. The Aria moves away from direct use of speech-rhythm but still uses the number of syllables as a means of ordering the phrases. The text is then reflected by the music. The subtext is where the characters get to play out their 'real' emotions. These are the thoughts of Andromache, Hermione and the Goddess Thetis, who are the main female characters of Euripides   Andromache . Andromache and Hermione are the victims of society and war, frustrated and hoping for something better in life. Thetis is the cold Goddess looking disdainfully at the situation.\u003c\/p\u003e","brand":"Tetractys Publishing","offers":[{"title":"Default Title","offer_id":46966645653798,"sku":"TTYS1315181","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/B0000TTYS1315181_d.jpg?v=1697478724"},{"product_id":"nagle-p-cantus","title":"Nagle, P :: Cantus","description":"\u003cspan class=\"NameInDesc\"\u003eCantus\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eNagle, P\u003c\/span\u003e\u003cbr\u003e\u003cp\u003ePeter Nagle s Cantus, for alto flute and optional drones.\u003c\/p\u003e\u003cp\u003eFrom the composer:\u003c\/p\u003e\u003cp\u003e Cantus is a free melody based on a scale comprising intervals derived from the first, third, seventh, eleventh and thirteenth tones of the harmonic series. It may be performed as a solo or with accompanying drones.\u003c\/p\u003e\u003cp\u003e Cantus  has a number of meanings in music terminology: the primary meaning I have in mind here is the simplest one, of a melody. There are a number of variants, but the one that comes closest to what I have in mind in this piece is Cantus simplex planus, which Grove defines as  a simple melody using notes of indefinite value, as in Gregorian chant.  There is something chant- or prayer-like about this melody, though I can t say to whom the prayer might be directed. \u003c\/p\u003e","brand":"Tetractys Publishing","offers":[{"title":"Default Title","offer_id":46966645719334,"sku":"TTYS1417121","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/B0000TTYS1417121_d.jpg?v=1697478729"},{"product_id":"rogers-emma-the-big-picture-etudes-for-alto-flute","title":"Rogers, Emma :: The Big Picture: Etudes for Alto Flute","description":"\u003cspan class=\"NameInDesc\"\u003eThe Big Picture: Etudes for Alto Flute\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eRogers, Emma\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eEmma Rogers  The Big Picture is a series of studies of varying difficulty for alto flute. There are essentially four studies; however, there are two versions of each. The second version of each study is a considerably more advanced rendition that builds on the ideas that were introduced in the first version. The studies ask the performer to take the larger picture of the work into account by looking at the musical aspects of each study as well as the technical elements associated with the alto flute.\u003c\/p\u003e\u003cp\u003eThe names of the individual studies form the opening of a stanza, which is completed on the back page. This stanza is included to encourage performers to always look at the  The Big Picture  of a work.\u003c\/p\u003e\u003cp\u003eThe first four studies are designed for flutists who are familiar with the C flute, yet are picking up alto for the first time and wish to  iron out the nuts and bolts  of handling the larger instrument. The last four studies are for more advanced players and may also be used as concert studies.\u003c\/p\u003e","brand":"Tetractys Publishing","offers":[{"title":"Default Title","offer_id":46966646440230,"sku":"TTYS181571","price":22.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/A00000TTYS181571_d.jpg?v=1697478734"}],"url":"https:\/\/www.flute4u.com\/collections\/alto-flute.oembed?page=2","provider":"Carolyn Nussbaum Music Company","version":"1.0","type":"link"}