{"title":"Flute \u0026 Cello","description":null,"products":[{"product_id":"villa-lobos-h-assobio-a-jato-the-jet-whistle","title":"Villa-Lobos, H :: Assobio a Jato [The Jet Whistle]","description":"\u003cp\u003e\u003cspan class=\"NameInDesc\"\u003eAssobio a Jato [The Jet Whistle]\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eVilla-Lobos, H\u003c\/span\u003e\u003c\/p\u003e","brand":"Peer Music","offers":[{"title":"Default Title","offer_id":46964826702118,"sku":"680160418831","price":21.95,"currency_code":"USD","in_stock":true}]},{"product_id":"mendelssohn-f-trio-d-moll-op-49-trio-in-d-minor-op-49","title":"Mendelssohn, F :: Trio d-Moll op. 49 [Trio in D Minor op. 49]","description":"\u003cstyle type=\"text\/css\"\u003e\np.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Verdana}\n\u003c\/style\u003e\u003cp\u003eMusikverlag Zimmermann presents Felix Mendelssohn Bartholdy's \u003cem\u003eTrio in D Minor, op. 49\u003c\/em\u003e, for flute, cello, and piano. \u003c\/p\u003e\u003cp\u003eEdited by Frank Michael, this edition contains a preface and footnotes for the performers. Originally written for violin, cello, and piano in 1839 and later arranged for flute, this four-movement work is a substantial to the flute's Romantic chamber music repertoire.\u003c\/p\u003e","brand":"Zimmermann Music","offers":[{"title":"Default Title","offer_id":46964830994726,"sku":"9790010324609","price":33.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790010324609.jpg?v=1697448767"},{"product_id":"hoover-k-lyric-trio","title":"Hoover, K :: Lyric Trio","description":"\u003cspan class=\"NameInDesc\"\u003eLyric Trio\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eHoover, K\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eKatherine Hoover presents the Lyric Trio for flute, cello, and piano.\u003c\/p\u003e\u003cp\u003eFrom the composer:\u003c\/p\u003e\u003cp\u003e'In 1983 I was commissioned to write a piece for the Huntingdon Trio. I chose to write a substantial piece with more emphasis on melody than much of the music being written at that time, hence the name. The long first movement has two main ideas; one energetic and rhythmic, the other lyric. Most of the movement concerns the interweaving of these ideas, with two dream-like interpolations. The second movement is a melodious serenade. Each instrument has its own solo to sing, and then these are brought together toward the end of the movement. The third is a perpetual motion with overtones of jazz, odd sounds, and references to the first movement.'\u003c\/p\u003e","brand":"Papagena Press","offers":[{"title":"Default Title","offer_id":46967992811814,"sku":"PP127","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/C000680160561728_d.jpg?v=1697499262"},{"product_id":"kuhlau-f-trio-in-g-major-op-119","title":"Kuhlau, F :: Trio in G Major, op. 119","description":"\u003cp\u003e\u003cspan class=\"NameInDesc\"\u003eTrio in G Major, op. 119\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eKuhlau, F\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eInternational Music Company presents Kuhlau's 'Trio in G Major', op. 119 for two flutes and piano, or flute, cello, and piano edited by Jean-Pierre Rampal.\u003c\/p\u003e\u003cp\u003eOne of Friedrich Kuhlau's last works, written in 1831, was his Grand Trio in G Major, Op.119. It was originally for two flutes and piano but Kuhlau, himself, arranged the second flute part for cello or bassoon. This gives the cello or bassoon a greater role than one normally finds in trio music of this period, elevating it to an equal partner with the other instruments instead of barely beyond the bass line as is the case with most Classical and early Romantic trios. His publisher added a violin part in place of the first flute so that the work could be played by the standard piano trio. Kuhlau's experience in opera composition is evident here in the song-like quality of the melodies and the coloratura-like technique given to all of the instruments. In the opening movement, Allegro moderato, the sentimental main theme is introduced by the piano. In the second movement, Adagio patetico, the Hungarian sounding middle section is particularly noteworthy. The finale is an upbeat Rondo.\u003c\/p\u003e\u003cp\u003eFriedrich Kuhlau (1786-1832), often called the 'Beethoven of the Flute', is well-known to flute players, if few others, for the many fine pieces that he composed for that instrument. Though it is generally assumed, by those who have heard of him, that he was a flute virtuoso, ironically, he never played the instrument. Born in Germany, after being blinded in one eye in a freak street accident, he studied piano in Hamburg. In 1810, he fled to Copenhagen to avoid conscription in the Napoleonic Army, which overwhelmed the many small principalities and duchies of northern Germany, and in 1813 he became a Danish citizen. Outside of several lengthy trips which he took, he resided there until his death. During his lifetime, he was known primarily as a concert pianist and composer of Danish opera, but was responsible for introducing many of Beethoven s works, which he greatly admired, to Copenhagen audiences. Considering that his house burned down destroying all of his unpublished manuscripts, he was a prolific composer leaving more than 200 published works in most genres. Beethoven, whom Kuhlau knew personally, exerted the greatest influence upon his music. Interestingly, few of Beethoven s contemporaries showed greater understanding or ability to assimilate what the great man was doing than Kuhlau. Certainly with regard to form, Kuhlau was clearly able to make sense and use what Beethoven was doing in something as advanced as his Middle Period. Thus, for those encountering his chamber music for the first time, there is always a surprise at how fine the music is structurally and also how well he handles the instruments. Beyond this, he definitely had, like Mozart, Schubert or Hummel, a gift for wonderful melodies which bubble forth from his music effortlessly.\u003c\/p\u003e","brand":"International Music Company (IMC)","offers":[{"title":"Default Title","offer_id":46968470995238,"sku":"I3187","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/50000000000I3187_d.jpg?v=1697512932"},{"product_id":"singier-jm-appendices","title":"Singier, JM :: Appendices","description":"\u003cp\u003e\u003cspan class=\"NameInDesc\"\u003eAppendices\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eSingier, JM\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eJean-Marc Singier presents Appendices for flute and cello.\u003c\/p\u003e\u003cp\u003eFor advanced players.\u003c\/p\u003e","brand":"Editions Henry Lemoine","offers":[{"title":"Default Title","offer_id":46968994332966,"sku":"9790230975780","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790230975780.jpg?v=1697521281"},{"product_id":"marco-t-siete-rubayats","title":"Marco, T :: Siete Rubayats","description":"\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eSiete Rubayats\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eMarco, T\u003c\/span\u003e\u003c\/p\u003e\u003cstyle type=\"text\/css\"\u003e\np.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Verdana} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Verdana; min-height: 15.0px}\n\u003c\/style\u003e\u003cp\u003eTomás Marco - \u003cem\u003eSiete Rubayats\u003c\/em\u003e for Flute, Oboe, Clarinet and Cello. This work was written in 2008 in memory of Adolfo Salazar and dedicated to the Conservatory that bears his name. The title is a memory of the most famous composition by Salazar, but it does not directly take materials nor the underlying poems by Omar Khayyam. I have kept the idea of the short poem and the work consists of seven chained pieces not very long. The score uses the cello and three wind instruments: flute, oboe and clarinet. The cello doesn't act as a solo instrument, but rather as a relatively dominant one. The entire play takes place around the timbral differences and colors, suggesting an abstract poetic evocation.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eDuration: 10'. For advanced players.\u003c\/p\u003e","brand":"Periferia Publishing","offers":[{"title":"Default Title","offer_id":46969206571302,"sku":"9790543576681","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790543576681.jpg?v=1697522727"},{"product_id":"connesson-g-toccata-nocturne","title":"Connesson, G :: Toccata-Nocturne","description":"\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eToccata-Nocturne\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eConnesson, G\u003c\/span\u003e\u003c\/p\u003e\u003cstyle type=\"text\/css\"\u003e\np.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Verdana}\n\u003c\/style\u003e\u003cp\u003eGuillaume Connesson's \u003cem\u003eToccata-Nocturne\u003c\/em\u003e, for flute and cello, is a vividly engaging small showpiece that dances through 7\/16 meters, flowing and sparking off each other. Typical of Connesson's eclectic style, the \u003cem\u003eToccata-Nocturne\u003c\/em\u003e takes from several schools - Adams' minimalism, Liebermann's new lyricism, and of course a vivid harmonic language that's all Connesson.\u003c\/p\u003e\u003cp\u003eDuration: 2'35. For advanced players.\u003c\/p\u003e","brand":"Gerard Billaudot","offers":[{"title":"Default Title","offer_id":46969332760870,"sku":"9790043089223","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790043089223.jpg?v=1697523641"},{"product_id":"escaich-t-scenes-denfants-au-crepuscule","title":"Escaich, T :: Scenes d'Enfants au Crepuscule","description":"\u003cstyle type=\"text\/css\"\u003e\np.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Verdana}\n\u003c\/style\u003e\u003cp\u003eScenes d'Enfants au Crepuscule (Scenes of Children at Twilight)\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eEscaich, T\u003c\/span\u003e\u003c\/p\u003e\u003cstyle type=\"text\/css\"\u003e\np.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Verdana}\n\u003c\/style\u003e\u003cstyle type=\"text\/css\"\u003e\np.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Verdana}\n\u003c\/style\u003e\u003cp\u003eThierry Escaich presents \u003cem\u003eScenes d'Enfants au Crepuscule (Scenes of Children at Twilight)\u003c\/em\u003e for flute, cello, and piano.\u003c\/p\u003e\u003cp\u003eEach of the five movements (or scenes) are dynamic, intriguingly quasi-impressionistic vignettes that exploit the instruments to their fullest. Almost a contemporary Ravel trio - with some playful touches of more modern writing - the Scenes is instantly engaging and utterly gorgeous.\u003c\/p\u003e\u003cp\u003eDuration: 13'40. For advanced players.\u003c\/p\u003e","brand":"Gerard Billaudot","offers":[{"title":"Default Title","offer_id":46969336365350,"sku":"GB5722","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/6000000000GB5722.jpg?v=1697523672"},{"product_id":"yi-c-happy-tune","title":"Yi, C :: Happy Tune","description":"\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eHappy Tune\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eYi, C\u003c\/span\u003e\u003c\/p\u003e\u003cstyle type=\"text\/css\"\u003e\np.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Verdana}\n\u003c\/style\u003e\u003cp\u003eChen Yi describes the cheery interplay of HAPPY TUNE as one instrument playing a lively melody, while the other plays a vivid rhythmic pattern as accompaniment. The pair of instruments imitates primitive Chinese folk song singing, as well as the traditional wind instrument sheng, a mouth pipe organ. One of the composer’s favorite themes to develop for different textures, HAPPY TUNE is a variant from Chen Yi’s Three Bagatelles from China West, both versions appearing in several scorings.\u003c\/p\u003e","brand":"Theodore Presser","offers":[{"title":"Default Title","offer_id":46969808388390,"sku":"9781491134771","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009781491134771.jpg?v=1697527480"},{"product_id":"speil-r-ballade","title":"Speil, R :: Ballade","description":"\u003cstyle type=\"text\/css\"\u003e\np.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Verdana}\n\u003c\/style\u003e\u003cp\u003eBallade\u003c\/p\u003e\u003cstyle type=\"text\/css\"\u003e\np.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Verdana}\n\u003c\/style\u003e\u003cp\u003eSpeil, R\u003c\/p\u003e","brand":"Edition Kossack","offers":[{"title":"Default Title","offer_id":46970308133158,"sku":"KS98021","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/700000000KS98021.jpg?v=1697530993"},{"product_id":"bach-js-partita-latina","title":"Bach, JS :: Partita Latina","description":"\u003cp\u003e\u003cem\u003ePublisher: \u003c\/em\u003eTetractys Publishing \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEditor: \u003c\/em\u003eHoyos, Gaspar (arr.)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTetractys Publishing presents 'Partita Latina.' Based on J.S. Bach's \"Partita in A minor\" for solo flute, Gaspar Hoyos has arranged this version for flute and cello to feature Latin rhythms and an added bass line. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTable of Contents\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eI. Alemana Latina\u003c\/li\u003e\n\u003cli\u003eII. Corrente con Pasillo\u003c\/li\u003e\n\u003cli\u003eIII. Sarazamba\u003c\/li\u003e\n\u003cli\u003eIV. Son Bourre\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tetractys Publishing","offers":[{"title":"Default Title","offer_id":52734104830318,"sku":"9790570762781","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/files\/9790570762781.jpg?v=1759873526"},{"product_id":"kuhlau-f-trio-op-120","title":"Kuhlau, F :: Trio, op. 119","description":"\u003cp\u003eGerard Billaudot presents 'Trio, op. 119' for two flutes and piano by composer Friedrich Kuhlau. This score can also be performed as flute, violin, and piano or flute, cello, and piano. \u003c\/p\u003e","brand":"Gerard Billaudot","offers":[{"title":"Default Title","offer_id":54316301222254,"sku":"GB8143","price":40.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/files\/9790043081432.jpg?v=1784223573"}],"url":"https:\/\/www.flute4u.com\/collections\/flute-cello.oembed","provider":"Carolyn Nussbaum Music Company","version":"1.0","type":"link"}