{"title":"Flute \u0026 Electronics","description":"","products":[{"product_id":"crumb-g-vox-balaenae-for-three-masked-players","title":"Crumb, G :: Vox Balaenae for three Masked Players","description":"\u003cp\u003eGeorge Crumb presents the seminal Vox Balaenae (Voice of the Whale) for Three Masked Players (Electric Flute, Electric Cello, Electric Piano).\u003c\/p\u003e\n\u003cp\u003eThe formal structure of Vox Balaenae presents in three parts: 'Vocalise (…for the beginning of time),' 'Variations on Sea-Time,' and 'Sea-Nocturne (…for the end of time).'\u003c\/p\u003e\n\u003cp\u003eThe opening 'Vocalise' (marked in the score as 'wildly fantastic, grotesque') is a cadenza for the flutist that exhibits the most overt references to the singing of the humpback whale. Crumb accomplishes this likeness by requiring the flutist to sing and play at the same time. Perhaps the most 'whale-sounding' effect occurs in passages where the flutist must cover the embouchure hole with their mouth so that the sung tone is projected through the tube of the flute. Fingering changes are specifically notated for these tones sung through the flute that produce a shimmering sound. The 'Vocalise' concludes with a parody quotation from Johann Strauss’ Also Sprach Zarathustra, a tone poem inspired by Friedrich Nietzsche’s philosophical novel Thus Spoke Zarathustra which concerns the role of man on earth.\u003c\/p\u003e\n\u003cp\u003eFollowing the Strauss quotation, the cello introduces the sea theme ('solemn, with calm majesty'). Crumb labels the ensuing 'Variations on Sea-Time' using geological time periods: 'Archeozoic,' in which only single-cell organism life existed, 'Proterozoic,' in which oxygen accumulated in the Earth’s atmosphere and multi-cell organisms emerged, 'Paleozoic,' in which life forms transitioned from the ocean to the land, 'Mesozoic,' the 'age of reptiles,' and 'Cenozoic,' the 'age of mammals' and the arrival of man (marked 'with an imminent sense of destiny'). Crumb signals this arrival of man with a restatement of the Zarathustra quotation before the return of the sea theme in the Sea-Nocturne ('serene, pure, transfigured'). Crumb remarks that this concluding passage is 'couched in the ‘luminous’ tonality of B major and there are shimmering sounds of antique cymbals... I wanted to suggest 'a larger rhythm of nature' and a sense of suspension in time.''\u003c\/p\u003e\n\u003cp\u003eDuration: 18'. For advanced players. Oversized. Includes single score.\u003c\/p\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":46964828832038,"sku":"9790300722818","price":47.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/files\/9790300722818.jpg?v=1725377402"},{"product_id":"clarke-i-painter-s-trks","title":"Clarke, I; Painter, S :: TRKs","description":"\u003cp\u003e\u003cspan class=\"NameInDesc\"\u003eTRKs by Ian Clarke and S Painter\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eClarke, I; Painter, S\u003c\/span\u003e\u003c\/p\u003e","brand":"IC Music","offers":[{"title":"Default Title","offer_id":46964875985190,"sku":"CLA047","price":31.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/6000000000CLA047_d.jpg?v=1697449783"},{"product_id":"casserley-l-the-monks-prayer","title":"Casserley, L :: The Monk's Prayer","description":"\u003cspan class=\"NameInDesc\"\u003eThe Monk's Prayer\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eCasserley, L\u003c\/span\u003e\u003cbr\u003eThis piece requires a multi-tapped delay system with seven taps at times corresponding to 5, 8, 17, 23, 36, 52 and 81 quaver beats of the score. At quarter note= 50 these times are: 6, 9.6, 20.4, 27.6, 43.2, 62.4, and 97.2 seconds respectively. Feedback paths to the input of the delay are provided from the 5 and 81 beat outputs. Three pitch shifters are placed at the 23, 36, and 52 beat outputs, with shifts of -9, -6, and +4.5 semitones respectively. Level controls are required for the source input signal, the seven delayed signals and the two feedback signals, ten controls in all ... The system may be realized by linking several delay units and a small mixer, but the simplest way to achieve this is by using the program available from the publisher. Source code and full technical data is supplied. Other implementations are, of course, possible.","brand":"Editions HH","offers":[{"title":"Default Title","offer_id":46964915634470,"sku":"9790708024880","price":22.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790708024880_d.jpg?v=1697450750"},{"product_id":"davidovsky-m-synchronisms-no-1","title":"Davidovsky, M :: Synchronisms No. 1","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePublisher:\u003c\/em\u003e\u003cspan\u003e McGinnis \u0026amp; Marx\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMcGinnis \u0026amp; Marx presents \"Synchronisms No. 1\" for flute and electronic sound by composer Mario Davidovsky. \u003c\/p\u003e\n\u003cp\u003eSynchronisms No. 1 holds the historical distinction of being the first electroacoustic piece for flute. More specifically, it is the first piece written for acoustic solo flute and electronic tape. Electronic pieces using the flute in some fashion existed before this, but in those cases, the flute was not played live simultaneously with the tape.\u003c\/p\u003e\n\u003cp\u003eCD accompaniment included.\u003c\/p\u003e","brand":"McGinnis \u0026 Marx","offers":[{"title":"Default Title","offer_id":46964918845734,"sku":"MGM2050","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/files\/MGM2050.jpg?v=1745013563"},{"product_id":"dick-r-techno-yaman","title":"Dick, R :: Techno Yaman","description":"\u003cspan class=\"NameInDesc\"\u003eTechno Yaman\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eDick, R\u003c\/span\u003e\u003cbr\u003eNote: Techno Yaman is a piece that blends aspects of the traditional North Indian raga Rag Yaman with rock and electronica. To perform the piece, the flutist also 'plays' an electric keyboard that contains a drum machine. The keyboard must have an 'organ' tone and these drum machine patterns or equivalents: basic 4\/4 rock, Samba, Shuffle.","brand":"Multiple Breath Music","offers":[{"title":"Default Title","offer_id":46964919042342,"sku":"MMBS111006","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/A00000MMBS111006_d.jpg?v=1697450766"},{"product_id":"musgrave-t-narcissus","title":"Musgrave, T :: Narcissus","description":"\u003cspan class=\"NameInDesc\"\u003eNarcissus\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eMusgrave, T\u003c\/span\u003e\u003cbr\u003eNarcissus for flute and digital delay.","brand":"Novello Publishing","offers":[{"title":"Default Title","offer_id":46964919402790,"sku":"9780853608967","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009780853608967_d.jpg?v=1697450771"},{"product_id":"ter-veldhuis-j-lipstick","title":"ter Veldhuis,  J :: Lipstick","description":"\u003cspan class=\"NameInDesc\"\u003eLipstick\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eter Veldhuis,  J\u003c\/span\u003e\u003cbr\u003eLipstick for amplified flute \u0026amp; soundtrack","brand":"Donemus","offers":[{"title":"Default Title","offer_id":46964919599398,"sku":"680160495184","price":91.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/C000680160495184_d.jpg?v=1697450776"},{"product_id":"clarke-i-within-1","title":"Clarke, I :: Within...","description":"\u003cp\u003e\u003cspan class=\"NameInDesc\"\u003eWithin...\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eClarke, I\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eThis version of Within gives the solo player a chance to perform this challenging piece. The backing CD is great, and really helps those of us who are a little unsure in this medium gain some confidence to move in the right direction. It's not easy though. The extended techniques needed include note bending, quarter tones and flicks and trills so new fingerings will have to be learnt first. Then there is the playing and singing. But if you're tackling this, you can probably play all this kind of thing already. Within is possibly not the piece with which to start an exploration of Ian Clarke's music but for those who are already fans this is another winner.\u003c\/p\u003e","brand":"IC Music","offers":[{"title":"Default Title","offer_id":46965644427558,"sku":"CLA051","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/6000000000CLA051_d.jpg?v=1697465565"},{"product_id":"saariaho-k-noanoa","title":"Saariaho, K :: NoaNoa","description":"\u003cspan class=\"NameInDesc\"\u003eNoaNoa\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eSaariaho, K\u003c\/span\u003e\u003cbr\u003eKaija Saariaho is the most successful of contemporary Finnish composers, having won a number of international compositions, and has become best known for her works which exploit electronics. The inspiration for writing NoaNoa came at the time of writing the music for the ballet Maa. 'I wanted to write down, exaggerate, even abuse certain flute mannerisms that had been haunting me for some years, and thus force myself to move into something new.' NoaNoa is the work of a team, and many details in the flute part were worked out with Camilla Hoitenga. The electronic part was developed under the supervision of Jean-Baptiste Barriere with Xavier Chabot as programmer.","brand":"Chester Music","offers":[{"title":"Default Title","offer_id":46966045212966,"sku":"9780711976382","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009780711976382_d.jpg?v=1697469651"},{"product_id":"gunn-d-lunar-mural-1","title":"Gunn, D :: Lunar Mural 1","description":"\u003cp\u003e\u003cspan class=\"NameInDesc\"\u003eLunar Mural 1\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eGunn, D\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eThis is written for solo alto flute and Cd playback. The untransposed score of all parts is included for gong,drum kit, kalimba, harp, piano, synthesizer, high strings and low strings.\u003c\/p\u003e","brand":"Westleaf Edition","offers":[{"title":"Default Title","offer_id":46966174941478,"sku":"DG101","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/50000000000DG101_d.jpg?v=1697471410"},{"product_id":"various-zeitgenossische-musik-fur-flote-solo-contemporary-music-for-solo-flute","title":"Various :: Zeitgenossische Musik fur Flote solo [Contemporary Music for Solo Flute]","description":"\u003cp\u003eThis gigantic collection of flute solos, assembled from the very best of music from the German Democratic Republic and from the core flute repertoire, presents the essential aspects of today's musical languages. The enormous variety of musical techniques covered - from true neo-Romanticism to the harshest contemporary techniques and electroacoustic compositions - marks this as one of the few truly comprehensive selections of the modern genre. Covering composers from the popular to obscure - Denisov and Varese to Schenker and Kulsak - Zeitgenossiche Musik brings several seminal pieces together.\u003c\/p\u003e\n\u003cp\u003eWithin this collection lie works for the c flute, for piccolo, for alto flute, for bass flute, and for flute with electronic accompaniment. Each piece is in its own separate manuscript booklet for ease of playing. Markedly, though several pieces are no longer available except through special inquiries, the total cost of this collection if bought piece-by-piece would be upwards of $500.\u003c\/p\u003e\n\u003cp\u003eFor advanced players.\u003c\/p\u003e\n\u003ch3\u003eContents\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e Sonate for Flute solo\u003c\/strong\u003e — Back, Sven-Erik\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e Solo 7 for flute, alto flute, and piccolo\u003c\/strong\u003e — Bredemeyer, Reiner\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eZwei Stucke for Flute solo\u003c\/strong\u003e — Denisov, Edison\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e Grasmuckenstucke fur Mucke Gras for Flute solo\u003c\/strong\u003e — Dessau, Paul\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ekomposition 2 for flute solo\u003c\/strong\u003e — Herchet, Jorg\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e Traumtanze for Flute solo\u003c\/strong\u003e — Jung, Helge\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVon d nach d for Flute solo\u003c\/strong\u003e — Katzer, Georg\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDialog imaginar for Flute and Electronics\u003c\/strong\u003e — Katzer, Georg\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFlotensonate for Flute solo\u003c\/strong\u003e — Kleemann, Matthias\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInvenzionetta for Flute solo\u003c\/strong\u003e — Klusak, Jan\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eImpromptu for Altoflute solo\u003c\/strong\u003e — Matthus, Siegfried\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCapriccio Wannenhorn for Flute solo\u003c\/strong\u003e — Petric, Ivo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eZeitspiele for Flute solo\u003c\/strong\u003e — Poulheim, Bert\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMarienbader Reflexionen I for Flute solo\u003c\/strong\u003e — Richter, Kurt Dietmar\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHorstuck mit Floten for Piccolo, Flute, and Alto Flute with Electronics\u003c\/strong\u003e — Schenker, Friedrich\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSolo II for Piccolo, Flute, and Alto Flute\u003c\/strong\u003e — Schenker, Friedrich\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProlapsus G for Flute solo\u003c\/strong\u003e — Sermila, Jarmo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKassiopeia for Altoflute solo\u003c\/strong\u003e — Shimazu, Takehito\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ekomposition for flote I-III for flute solo\u003c\/strong\u003e — Ullmann, Jakob\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDensity 21.5 for Flute solo\u003c\/strong\u003e — Varese, Edgard\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLandscape with Birds for Flute solo\u003c\/strong\u003e — Vasks, Peteris\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDrei Etuden for Piccolo, Flute, and Alto Flute\u003c\/strong\u003e — Yun, Isang\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSingender Mann for Flute solo\u003c\/strong\u003e — Zapf, Helmut\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Deutscher Verlag fur Musik","offers":[{"title":"None","offer_id":46966457860390,"sku":"9790200480276-0","price":70.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790200480276_d.jpg?v=1697476188"},{"product_id":"chamberlain-n-lilliputian","title":"Chamberlain, N :: Lilliputian","description":"\u003cspan class=\"NameInDesc\"\u003eLilliputian\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eChamberlain, N\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eFollowing in the footsteps of Dehnhard s Wake Up! for piccolo and alarm clock, Chamberlain s Lilliputian is composed for piccolo and music box as a wandering little reflection.\u003c\/p\u003e\u003cp\u003eThe music box part is written for the Kikkerland  Make Your Own Music Box Kit , available through Amazon. Alternate parts for toy piano or glockenspiel are provided.\u003c\/p\u003e","brand":"Spotted Rocket","offers":[{"title":"Default Title","offer_id":46966473130278,"sku":"SR020","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/50000000000SR020_d.jpg?v=1697476655"},{"product_id":"anderson-c-weather-conversations","title":"Anderson, C :: Weather Conversations","description":"\u003cspan class=\"NameInDesc\"\u003eWeather Conversations\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eAnderson, C\u003c\/span\u003e\u003cbr\u003e\u003cp\u003e'Weather Conversations', by Claudia Anderson (with electronic material by John Rommereim), may be performed either with live, natural flute sound and the soundtrack fed through stereo speakers, or with enhancement of the live flute sound by wired or wireless mic. It is advisable to have a stopwatch (or a smartphone) on your stand to coordinate with the electronic events.\u003c\/p\u003e","brand":"ALRY Publications","offers":[{"title":"Default Title","offer_id":46966585229606,"sku":"9790302114345","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790302114345_d.jpg?v=1697478031"},{"product_id":"oliva-m-night-crossing","title":"Oliva, M :: Night Crossing","description":"\u003cspan class=\"NameInDesc\"\u003eNight Crossing\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eOliva, M\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eMichael Oliva s Night Crossing, for alto flute, cor anglais, bass clarinet, and electronics.\u003c\/p\u003e\u003cp\u003eFrom the composer:\u003c\/p\u003e\u003cp\u003e Night Crossing reflects on the passage from life to death, and the view of this in Greek mythology as a journey across the river Acheron in the boat of the ferryman Charon:\u003c\/p\u003e\u003cp\u003e \u003ci\u003eAnd see, an old man, with white hoary locks, came towards us in a boat shouting: 'Woe to you, wicked spirits! Never hope to see heaven: I come to carry you to the other shore, into eternal darkness, into fire and ice'   the memory of my terror still drenches me with sweat. The weeping earth gave vent, and flashed with crimson light, overpowering my senses, and I fell, like a man overcome by sleep.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e - Dante, Inferno, Canto III \u003c\/p\u003e","brand":"Tetractys Publishing","offers":[{"title":"Default Title","offer_id":46966650143014,"sku":"TTYS32114202","price":33.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/C000TTYS32114202_d.jpg?v=1697478869"},{"product_id":"oliva-m-summer-song","title":"Oliva, M :: Summer Song","description":"\u003cspan class=\"NameInDesc\"\u003eSummer Song\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eOliva, M\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eMichael Oliva s SUmmer Song, for alto flute, clarinet, and electronics.\u003c\/p\u003e\u003cp\u003eSummer Song evokes the stillness and heat-haze of drifting off in an English meadow under the full force of the August sun. Straightforward and a good choice for intermediate players looking to experiment with electronics; approximately 7 minutes long.\u003c\/p\u003e","brand":"Tetractys Publishing","offers":[{"title":"Default Title","offer_id":46966650470694,"sku":"TTYS32114204","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/C000TTYS32114204_d.jpg?v=1697478880"},{"product_id":"bjorntvedt-k-ut","title":"Bjorntvedt, K :: Ut","description":"\u003cspan class=\"NameInDesc\"\u003eUt\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eBjorntvedt, K\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eThe title Kaja Bjorntvedt s Ut, for alto flute and electronics, stems from the syllable formerly used in solfege to represent the key note of the Ionian mode (the major scale), now replaced by  do . The piece Ut evolves around the key note of the E flat major scale, also moving on to other medieval modes.\u003c\/p\u003e\u003cp\u003eUt is written as a solo piece for alto flute, yet it forms a duet with a pre-recorded and processed tuba part. However, in spite of the fixed nature of the tape, the piece will never sound the same twice, as there are several improvised sections where the performer has to choose how to respond to the tape part.\u003c\/p\u003e","brand":"Tetractys Publishing","offers":[{"title":"Default Title","offer_id":46966652993830,"sku":"TTYS210154","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/A00000TTYS210154_d.jpg?v=1697478892"},{"product_id":"chambers-m-glass-darkly","title":"Chambers, M :: ...Glass Darkly...","description":"\u003cspan class=\"NameInDesc\"\u003e...Glass Darkly...\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eChambers, M\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eMark Chambers   Glass Darkly  for alto flute, piano, and electronics.\u003c\/p\u003e\u003cp\u003eFrom the composer:\u003c\/p\u003e\u003cp\u003e Theological reflection in music has been an interest to composers such as Bach, Mendelssohn, and Messiaen, as well as others. I also have been influenced by my theological interests which is brought out quite deliberately in  glass darkly \u003c\/p\u003e\u003cp\u003e glass darkly  is the first work in which I have utilized computer software from IRCAM (Institut de Recherche et Coordination Acoustique\/Musique.) Though the work is influenced and borne out of electronic music techniques it is not a work that is cold and lifeless. It is highly structured in terms of form and harmonic content yet contains moments of quiet reflection that are contrasted with episodes of dramatic peaks.\u003c\/p\u003e\u003cp\u003eI then thought of the passage from I Corinthians. If one were to explore in musical terms what this passage means how would that affect the outcome? How does one see into eternity with mortal eyes? What do we see when we look through a glass darkly? As I considered my material in light of this passage I thought it best to fit the material to the particular instruments. To do this I needed to  round up  the various microtones so they would fit the given instrument. So for example say one tone had a frequency of 427.65 Hz (the half-way point between G# - 415.30 Hz and A   440 Hz.) I could keep the pitch for the flute, as it can readily play quartertones, but I would then round up the pitch to 440 Hz for the piano. I then added an electronic portion to the music to further realize the other microtones that the flute couldn t play.\u003c\/p\u003e\u003cp\u003eThe result of all this is that there are three layers that are incomplete reflections of the each other. \u003c\/p\u003e","brand":"Tetractys Publishing","offers":[{"title":"Default Title","offer_id":46966653092134,"sku":"TTYS381131","price":37.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/A00000TTYS381131_d.jpg?v=1697478897"},{"product_id":"di-maggio-d-baby-cant-sleep","title":"Di Maggio, D :: Baby Can't Sleep","description":"\u003cspan class=\"NameInDesc\"\u003eBaby Can't Sleep\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eDi Maggio, D\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eDan Di Maggio s Baby Can t Sleep, for alto flute and electronics.\u003c\/p\u003e\u003cp\u003eFrom the composer:\u003c\/p\u003e\u003cp\u003e Basically, this piece is my first encounter with the alto flute. Scored for alto and tape, it is intended as a playful piece for this wonderful instrument. Basically it is a funny way to talk about sleep problems. The musical speech of the flute is disturbed by the sounds and noises from the tape. An  Optional Background Trouble maker  could also take part in the performance... With this piece I had my first premi\u003c\/p\u003e","brand":"Tetractys Publishing","offers":[{"title":"Default Title","offer_id":46966655222054,"sku":"TTYS131771","price":23.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/A00000TTYS131771_d.jpg?v=1697478902"},{"product_id":"di-maggio-d-same-old-monsters","title":"Di Maggio, D :: Same Old Monsters","description":"\u003cspan class=\"NameInDesc\"\u003eSame Old Monsters\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eDi Maggio, D\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eDan Di Maggio presents Same Old Monsters, for bass flute and electronics.\u003c\/p\u003e\u003cp\u003eFrom the composer:\u003c\/p\u003e\u003cp\u003e I m going to record a concept album called Monsters, someday. Same Old Monsters will be the main composition, along with Bardhezi, for unaccompanied voice, with which it forms a diptych. The title suggests that the characteristics of human violence, oppression and malice are the same over the centuries. The idea of the piece is an activity that requires attention, delicacy and commitment (the bass flute part, with its rhythmic intricacies, quartertones and multiphonics), opposed to the obtuse brutality of the Same Old Monsters. Our antihero tries to resist and to fight back, but at the end gives up, and his voice becomes nothing but an inarticulate babble. The final version of the score was done with technical supervision by Carla Rees. \u003c\/p\u003e\u003cp\u003eDuration: 9 . For the advanced player.\u003c\/p\u003e","brand":"Tetractys Publishing","offers":[{"title":"Default Title","offer_id":46966655582502,"sku":"TTYS131775","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/A00000TTYS131775_d.jpg?v=1697478908"},{"product_id":"oliva-m-a-memory-of-spring","title":"Oliva, M :: A Memory of Spring","description":"\u003cspan class=\"NameInDesc\"\u003eA Memory of Spring\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eOliva, M\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eMichael Oliva presents A Memory of Spring, for alto flute and electronics. Drifting melodies soar and whirl over and through the thick electronics, with echoes of oriental harmonies and playing.\u003c\/p\u003e\u003cp\u003eThe piece consists of an alto flute part and an electronic accompaniment. This should be played through a high quality stereo PA, with speakers positioned behind the player on either side of the stage. Depending on the venue acoustics, subtle use of EQ may be necessary to ensure that the electronic part is reproduced clearly. Care should also be taken to ensure the PA has a good bass response, since the electronics contain some extremely low frequency sounds, which should be reproduced at good volume without distortion.\u003c\/p\u003e\u003cp\u003eIt is important that the flautist can hear the electronic part clearly, especially for synchronisation, but use of extra monitor speakers should be avoided if possible as they can muddy the stereo image of the sound. It is also advisable to amplify the flute a little and, if possible, apply some reverb to assist with the blending of parts.\u003c\/p\u003e\u003cp\u003eDuration: 5 . For the late intermediate player.\u003c\/p\u003e","brand":"Tetractys Publishing","offers":[{"title":"Default Title","offer_id":46966656696614,"sku":"TTYS32114201","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/C000TTYS32114201_d.jpg?v=1697478914"},{"product_id":"oliva-m-recoil","title":"Oliva, M :: Recoil","description":"\u003cspan class=\"NameInDesc\"\u003eRecoil\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eOliva, M\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eMichael Oliva s Recoil, for contrabass flute and electronics.\u003c\/p\u003e\u003cp\u003eWritten of a passage from Nietzsche s Notes on the Eternal Recurrence, Recoil is a dark, reflective work that engages strangely unrelated sounds in the electronics - pitch ping pong balls, spinning discs, and shimmers and wobbles - against the quasi-melodic lines of the contrabass.\u003c\/p\u003e","brand":"Tetractys Publishing","offers":[{"title":"Default Title","offer_id":46966656827686,"sku":"TTYS321142017","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D00TTYS321142017_d.jpg?v=1697478925"},{"product_id":"tassie-b-clutch","title":"Tassie, B :: Clutch","description":"\u003cspan class=\"NameInDesc\"\u003eClutch\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eTassie, B\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eBenjamin Tassie s clutch, for alto flute and electronics.\u003c\/p\u003e\u003cp\u003eClutch is an energetic, irreverent piece for solo alto flute. The work is study-like, exploring the instrument s range, playing styles, and some extended techniques (pitch bends and quarter tones). Baroque ornaments (trills, mordants) are set against a background of electro-pop electronics, with an energy that builds, disintegrates (in a middle section in which the metre shifts) and builds again. The title, Clutch, is a reference to the expression  clutching my pearls , meaning  a moment in time that forces one to clasp their hand to their chest, out of fear or shock, as if trying to protect an imaginary pearl necklace .\u003c\/p\u003e\u003cp\u003eFor intermediate to advanced players. Approximately 4 minutes.\u003c\/p\u003e","brand":"Tetractys Publishing","offers":[{"title":"Default Title","offer_id":46966657941798,"sku":"TTYS201192","price":23.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/A00000TTYS201192_d.jpg?v=1697478930"},{"product_id":"wilson-s-vortically","title":"Wilson, S :: Vortically","description":"\u003cspan class=\"NameInDesc\"\u003eVortically\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eWilson, S\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eScott Wilson presents Vortically, for bass flute and electronics.\u003c\/p\u003e\u003cp\u003eFrom the composer:\u003c\/p\u003e\u003cp\u003e Air, wind, flowing, transmission  whispers, fragments of Morse code (a secret language), vortices of different shapes and sizes, whirling, spinning, singing, song \u003c\/p\u003e\u003cp\u003eVortically is dedicated to Carla Rees, without whose fearsome technique and boundless good humour a piece for quarter-tone bass flute and electroacoustics might well have proven near impossible to realise; and to my friend and teacher Christos Hatzis, for always encouraging me to take my own path, and for nudging me back towards it from time to time. \u003c\/p\u003e\u003cp\u003eThis version of Vortically has been modified from the original (for Kingma System bass flute) to make it performable on a standard bass flute.\u003c\/p\u003e\u003cp\u003eDuration: 12 . For the advanced player.\u003c\/p\u003e","brand":"Tetractys Publishing","offers":[{"title":"Default Title","offer_id":46966658531622,"sku":"TTYS249121","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/A00000TTYS249121_d.jpg?v=1697478936"},{"product_id":"beljon-g-something-wicked","title":"Beljon, G :: Something Wicked","description":"\u003cspan class=\"NameInDesc\"\u003eSomething Wicked\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eBeljon, G\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eGerard Beljon presents Something Wicked, for flute, piano, and electronics.\u003c\/p\u003e\u003cp\u003eSomething wicked is music about witches and witchcraft. In the music first an enchanting spell is wrought, slowly bringing to life something horrible. When the spell is cast eventually, a wild dance starts in which even the witches themselves are unable to control what they have just created. No electronic sounds have been used on the CD that accompanies the live instruments. All sounds are natural samples. Except for the vocal effects, all samples have been derived directly from the flute and the piano.\u003c\/p\u003e\u003cp\u003eDuration: 10'. For advanced players.\u003c\/p\u003e","brand":"Donemus","offers":[{"title":"Default Title","offer_id":46966664364326,"sku":"DON10739","price":94.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/80000000DON10739_d.jpg?v=1697479121"},{"product_id":"roelofsen-r-voile","title":"Roelofsen, R :: Voile","description":"\u003cspan class=\"NameInDesc\"\u003eVoile\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eRoelofsen, R\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eRuud Roelofsen presents Voile, for alto flute and electronics.\u003c\/p\u003e\u003cp\u003e'Voile', or veil; this entire piece of music seems to be covered by a veil; sometimes triggering the imagination and emphasizing another aesthetic then found in the object underneath. Straining tonal beauty, almost in the form of cinematic music, fills a dramatic poem structure, while air sounds, key clicks, and glisses enhance the magical atmosphere.\u003c\/p\u003e\u003cp\u003eDuration: 16'. For the advanced player.\u003c\/p\u003e","brand":"Donemus","offers":[{"title":"Default Title","offer_id":46966664659238,"sku":"DON13558","price":70.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/80000000DON13558_d.jpg?v=1697479128"},{"product_id":"various-images","title":"Various :: Images","description":"\u003cspan class=\"NameInDesc\"\u003eImages\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eVarious\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eIMAGES was conceived by flutist Eleonor Pameijer. For quite some time she has been fascinated by Noam Ben-Jacov's sculptures and other artworks. Ben-Jacov's so called 'body sculptures' (sculptures animated by the movements of a dancer) inspired her to create a performance in which newly composed music, dance, and body sculptures would be combined.\u003c\/p\u003e\u003cp\u003eEleonore Pameijer invited five composers to write compositions inspired by Ben-Jacov's sculptures. The versatile sound of the flute would be the perfect counterpoint to the ever-changing shape of the sculptures: the would be balanced, neither of them would outshine the other.\u003c\/p\u003e\u003cp\u003eSinta Wullur's Promenade is an exploration of the tones of a particular mode. The first movement explores variants of the mode in a rubato tempo. The second movement is similar but in a very strict rhythm. In the third and following movements the entire mode is played in different transpositions. This method of exploring pitches was the result of Sinta Wullur's experience in performing classical music from India.\u003c\/p\u003e\u003cp\u003eMartijn Padding's 'so-Solo' turns the immediate impression of a fast, loud, and high piccolo into an expression of long and soft notes in the low register. As a dialogue, however, excursions are made into the more idiomatic higher notes.\u003c\/p\u003e\u003cp\u003eCalliope Tsoupaki's 'Calliope', the composer introduces short and fast repetitive notes. After a while they alternate with ever-lengthening melodic material. Following a long build-up, the confrontation of both identities results in a number of high and loud outbursts. After a sparkling climax, the music settles down to a few final short notes and a single long note.\u003c\/p\u003e\u003cp\u003ePaul Termos's 'Spazio' is a composition in which the fifth is the predominating interval. The open sound of the fifth contrasts with the rather closed sound of minor and major seconds. The music starts with a simple motif, which develops and transforms, always recognizable by its basic characteristics.\u003c\/p\u003e\u003cp\u003eJacob ter Veldhuis's Lipstick, for flutist doubling alto flute and tape, was inspired by the hoop-sculptures of Ben-Jacov in the autumn of 1998. The tape is based on ready-made voice samples taken from American talkshows (like the Jerry Spring Show) and from one of the last radio interviews with the legendary jazz singer Billy Holiday. The electronic part is not included with this collection.\u003c\/p\u003e\n\u003ch3\u003eContents\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePromenade for flute\u003c\/strong\u003e — Wullur, Sinta\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eso-Solo for piccolo\u003c\/strong\u003e — Padding, Martijn\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCalliope for flute\u003c\/strong\u003e — Tsoupaki, Calliope\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSpazio for flute\u003c\/strong\u003e — Termos, Paul\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLipstick for flute doubling alto flute and electronics\u003c\/strong\u003e — ter Veldhuis, Jacob\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Donemus","offers":[{"title":"Default Title","offer_id":46966668034342,"sku":"DON11345","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/80000000DON11345_d.jpg?v=1697479232"},{"product_id":"schonthal-r-a-bird-over-jerusalem","title":"Schonthal, R :: A Bird Over Jerusalem","description":"\u003cp\u003e\u003cspan class=\"NameInDesc\"\u003eA Bird Over Jerusalem\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eSchonthal, R\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eRuth Schonthal presents A Bird Over Jerusalem for flute, prepared piano, and electronics. A very evocative, impressionistic concert piece for both instruments, incorporating allusions and quotations from various Jewish and Christian music as well as Arab lamentations.\u003c\/p\u003e\u003cp\u003eDuration: 14 . For advanced players.\u003c\/p\u003e","brand":"Furore","offers":[{"title":"Default Title","offer_id":46966757163302,"sku":"9790500121862","price":33.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790500121862_d.jpg?v=1697480705"},{"product_id":"rommereim-j-snap","title":"Rommereim, J :: SNAP!","description":"\u003cspan class=\"NameInDesc\"\u003eSNAP!\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eRommereim, J\u003c\/span\u003e\u003cbr\u003e\u003cp\u003e'Snap!' was written in May of 2018 for the ZAWA! Flute duo, Jill Felber and Claudia Anderson. The basic rhythmic patterns of the piece grew out of sound samples demonstrating various extended techniques that were recorded by Claudia Anderson. The sound samples were expanded upon to form an overall framework, and then the live-performance flute duo material was composed such that it sometimes is interwoven with the background, and at other times soars above it.\u003c\/p\u003e","brand":"ALRY Publications","offers":[{"title":"Default Title","offer_id":46967058071846,"sku":"9790302116219","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790302116219_d.jpg?v=1697482525"},{"product_id":"lutz-g-sheep-may-safely-groove","title":"Lutz, G :: Sheep May Safely Groove","description":"\u003cp\u003e\u003cspan class=\"NameInDesc\"\u003eSheep May Safely Groove\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eLutz, G\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eSomething to read to the audience...\u003c\/p\u003e\u003cp\u003eAs due diligence requires, in preparation for today's performance, we searched the vaults of our local library's archives for historical data on this piece. It turns out that, in spite of several billion currently documented performances to the contrary, this is actually the fashion in which J.S. Bach original desired his famous 'Sheep May Safely Graze' to be played.\u003c\/p\u003e\u003cp\u003eFor four flutes, piano, optional electric bass, and drum set.\u003c\/p\u003e","brand":"ALRY Publications","offers":[{"title":"Default Title","offer_id":46967550640422,"sku":"9790302116554","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790302116554_d.jpg?v=1697491867"},{"product_id":"buss-hj-alien-loop-de-loops","title":"Buss, HJ :: Alien Loop de Loops","description":"\u003cspan class=\"NameInDesc\"\u003eAlien Loop de Loops\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eBuss, HJ\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eALIEN LOOP DE LOOPS for flute electronics, by Howard Buss, is a fantasy that appeals to a wide range of audiences. Buss envisioned a flutist playing during an air show by an alien craft. At first the flute is unaccompanied, but then is joined by the recording that includes traditional instruments, an 'alien' voice, the spacecraft, and electronic effects.\u003c\/p\u003e","brand":"Brixton Publications","offers":[{"title":"Default Title","offer_id":46967562305830,"sku":"B446F","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/50000000000B446F_d.jpg?v=1697492298"},{"product_id":"gardner-a-fade","title":"Gardner, A :: Fade","description":"\u003cp\u003eAlexandra Gardner presents Fade for flute and soundtrack.\u003c\/p\u003e\u003cp\u003eFrom the composer:\u003c\/p\u003e\u003cp\u003e'Fade was commissioned by the National Flute Association for the 2019 Young Artist Competition. It is the 12th work in my series of compositions for solo instrument with electronics. As is my habit with these pieces, the two parts are woven together into an aural landscape of shifting rhythms and textures based upon the sonic material of the acoustic instrument. The electronic part of Fade is comprised entirely of acoustic flute sounds, some of which are easily identifiable, and others of which have been processed into completely different forms using a variety of software tools. The work is an exploration of the nature of human memory; which memories 'stick' with us, the ways in which memories transform and mutate over time, and how they can seem to vanish, only to reappear at later unexpected moments.'\u003c\/p\u003e\u003cp\u003eDuration: 6'43. For the advanced player.\u003c\/p\u003e","brand":"A. Gardner Music","offers":[{"title":"Default Title","offer_id":46967605756198,"sku":"AD20190715","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/A00000AG20190715.jpg?v=1697493039"},{"product_id":"pritsker-g-sorrow-like-pleasure-creates-its-own-atmosphere","title":"Pritsker, G :: Sorrow, Like Pleasure, Creates its own Atmosphere","description":"\u003cp\u003e\u003cspan class=\"NameInDesc\"\u003eSorrow, Like Pleasure, Creates its own Atmosphere\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003ePritsker, G\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eThe title is from the novel Cousin Bette by Honore de Balzac. The samplestra part consists of an Indian voice, Indian flute, drums, and synth. sounds. Samplestra is the name Pritsker gives to any pre-recorded elements in his music. He sees it as an orchestra of samples, since he uses little fragments of pre-existing music or sounds and manipulates them to his own composition. The flute part dances around the Indian voice\/flute fragment till it breaks into a perpetual motion-like line that becomes the counter motif to the pre-recorded music. Technically it is relentless and creates various atmospheres over a static feel from the track. The music builds to a climax and recedes to a calm conclusion.\u003c\/p\u003e","brand":"Falls House Press","offers":[{"title":"Default Title","offer_id":46967789584678,"sku":"9781491105221","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009781491105221_d.jpg?v=1697495669"},{"product_id":"reich-s-vermont-counterpoint","title":"Reich, S :: Vermont Counterpoint","description":"\u003cspan class=\"NameInDesc\"\u003eVermont Counterpoint\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eReich, S\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eVermont Counterpoint is not one of Steve Reich's better known pieces. It is, however, a very interesting and indicative part of his oeuvre. It has many similarities to the earlier phase works on tape such as Come Out and instrumental works such as Piano Phase and Violin Phase. At the same time it also has characteristics of his later, more polished, accessible works.\u003c\/p\u003e\u003cp\u003eIt is usually performed by one live flutist with a pre-recorded backing track of up to 11 flutes, piccolos and alto flutes. It can also be performed by 12 live flutists.\u003c\/p\u003e\u003cp\u003eIncludes Full Score and Performance part for Solo Flute player (doubling Piccolo and Alto Flute). Performance Tape and\/or Flute Ensemble parts available on rental from Boosey \u0026amp; Hawkes.\u003c\/p\u003e","brand":"Boosey \u0026 Hawkes","offers":[{"title":"Default Title","offer_id":46967913808166,"sku":"9790051590940","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790051590940_d.jpg?v=1697497526"},{"product_id":"lopes-f-variacoes-sobre-espaco-4","title":"Lopes, F :: Variacoes sobre Espaco #4","description":"\u003cspan class=\"NameInDesc\"\u003eVariacoes sobre Espaco #4\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eLopes, F\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eFilipe Lopes presents Variations on Space #4 for Flute and Wallace. The software package, Wallace, in turns amplifies and adds to the sound of the flute, as well as providing trigger points for specific electric sounds throughout the work.\u003c\/p\u003e","brand":"Scherzo Editions","offers":[{"title":"Default Title","offer_id":46967918199078,"sku":"9790707707678","price":22.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790707707678_d.jpg?v=1697497587"},{"product_id":"mower-m-musical-postcards","title":"Mower, M :: Musical Postcards","description":"\u003cp\u003e\u003cspan class=\"NameInDesc\"\u003eMusical Postcards\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eMower, M\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eIn 1996, Mike Mower used his experience from traveling with Itchy Fingers to write and record 10 pieces in different ethnic styles for students. The result is Muscal Pstacrds, a play-along book with CD.Musical Postcards features genuine ethnic bands form round the world that Mike has met over the years. Nearly 50 musicians were involved, many of them world-famous recording artists. In addition, a 12 piece string section has been added to some of the trans. Musical Postcards is a unique collection of world music and an unrivaled opportunity for students of all abilities not only to listen to some of the world s leading ethnic bands, but also to play along with them.\u003c\/p\u003e\n\u003ch3\u003eContents\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAndalusia Mora (Spain)\u003c\/strong\u003e — Mower, Mike\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCossackaya (Russia)\u003c\/strong\u003e — Mower, Mike\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDodd's Odd Job (Ireland)\u003c\/strong\u003e — Mower, Mike\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFlat Fives (USA)\u003c\/strong\u003e — Mower, Mike\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHavana Cha Cha (Cuba)\u003c\/strong\u003e — Mower, Mike\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMucho Mariachi! (Mexico)\u003c\/strong\u003e — Mower, Mike\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRiviera '62 (France)\u003c\/strong\u003e — Mower, Mike\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSalsa con Moto! (Puerto Rico)\u003c\/strong\u003e — Mower, Mike\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSambossa (Brazil)\u003c\/strong\u003e — Mower, Mike\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUpland Fling (Scotland)\u003c\/strong\u003e — Mower, Mike\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Boosey \u0026 Hawkes","offers":[{"title":"Default Title","offer_id":46967919182118,"sku":"9790060105272","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790060105272_d.jpg?v=1697497599"},{"product_id":"pointe-a-o-oraculo-de-delfos","title":"Pointe, A :: O Oraculo de Delfos","description":"\u003cspan class=\"NameInDesc\"\u003eO Oraculo de Delfos\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003ePointe, A\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eAngela da Ponte presents O Oraculo de Delfos for flute and electronics.\u003c\/p\u003e\u003cp\u003eTradition has it that, one day, Zeus let loose two eagles in opposite directions. After several trips, they met and dropped a stone carved with esoteric signs and the hidden name of the chosen place. It got stuck at the foot of Mount Parnassus and the place was Delphos.\u003c\/p\u003e","brand":"Scherzo Editions","offers":[{"title":"Default Title","offer_id":46967919247654,"sku":"9790707707661","price":22.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790707707661_d.jpg?v=1697497605"},{"product_id":"santos-am-friccoes","title":"Santos, AM :: Friccoes","description":"\u003cspan class=\"NameInDesc\"\u003eFriccoes\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eSantos, AM\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eAndre M. Santos presents Friccoes [Friction] for flute and electronics.\u003c\/p\u003e\u003cp\u003eFrom the composer:\u003c\/p\u003e\u003cp\u003e'There are many views about our purpose on this earth, with our awareness. We spend a lifetime feeding our internal duel: mind versus body. There is no escape from evolution. There is no evolution without friction.\u003c\/p\u003e\u003cp\u003eThis piece appeared as a challenge to the pursuit of our individual purpose. The 'Prolog' (Prologue) is taken as a calm and poetic preparation for the approaching times of change. The 'Accao' (Action) is the invitation to our inner warrior, to find peace within, to give oneself up to their purpose. There is no evolution without friction!'\u003c\/p\u003e","brand":"Scherzo Editions","offers":[{"title":"Default Title","offer_id":46967920689446,"sku":"9790707707654","price":22.15,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790707707654_d.jpg?v=1697497611"},{"product_id":"various-friccoes-collection","title":"Various :: Friccoes - Collection","description":"\u003cspan class=\"NameInDesc\"\u003eFriccoes - Collection\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eVarious\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eThe six pieces included in the collection Friccoes for Flute Solo\/Flute and Electronics provide a gathering of 5 Portuguese composers, each challenged to write a piece for flute  - preferably with electronics - and each without a particular theme. Each piece is meant to bring to mind a theater play, a text, a work of visual art ; whether specific or implied merely by gestures and color.\u003c\/p\u003e\u003cp\u003eThe six pieces included in the collection Friccoes for Flute Solo\/Flute and Electronics provide a gathering of 5 Portuguese composers, each challenged to write a piece for flute - preferably with electronics - and each without a particular theme. Each piece is meant to bring to mind a theater play, a text, a work of visual art; but merely in gestures and feel, with no specific inspiration.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eO motivo da menina Laite\u003c\/strong\u003e (for solo flute): Once upon a time there was a girl who always showed up with a sound that filled every room without anyone noticing where it came from. In fact, it did not matter where it came from. Almost like a perfume, the sound followed the girl night and day, even when she was hiding or burrowing into a crowd. No matter where she went, there was always remnants of the sound constantly dancing with her shadow and scent. This is the story of a girl who has been finding her sound...\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eO Oraculo de Delfos\u003c\/strong\u003e (for flute and electronics): Tradition has it that, one day, Zeus let loose two eagles in opposite directions. After several trips, they met and dropped a stone carved with esoteric signs and the hidden name of the chosen place. It got stuck at the foot of Mount Parnassus and the place was Delphos.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e#5 Letters to Wolfgang\u003c\/strong\u003e (for solo flute): Speech is not built on itself, but is a path to another text, passing through crosses and influences the speech of a new self. Although Letters absorbs a certain amount of musical quotations (Burckner, Stravinsky, Vivaldi, among others), different transformation processes are applied to them in order to reach aural connections far from the source. This wish to hide and transform seeks to symbolize the experience of forbidden love, hidden with the '5 Letters'.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFriccoes: Prologo, Accao\u003c\/strong\u003e (for flute and electronics): There are many views about our purpose on this earth, with our awareness. We spend a lifetime feeding our internal duel: mind versus body. There is no escape from evolution. There is no evolution without friction.\u003c\/p\u003e\u003cp\u003eThis piece appeared as a challenge to the pursuit of our individual purpose. The 'Prolog' (Prologue) is taken as a calm and poetic preparation for the approaching times of change. The 'Accao' (Action) is the invitation to our inner warrior, to find peace within, to give oneself up to their purpose. There is no evolution without friction!\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eReencontros num jardim efemero\u003c\/strong\u003e (for solo flute): This work, of a meditative nature, is inspired by the sonority of the Japanese shakuhachi bamboo flute. The use of long notes, alternated with moments of silence, reminds us of the tenuous and ephemeral nature of life.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVariacoes sobre Espaco #4\u003c\/strong\u003e (for flute and customized downloadable software): This work continues the exploring the customer has been doing on dynamic reverberation and musical performance, in the field dedicated to the relationship between sound and space, representing at the same time an evolution of the original digital application that he developed for this purpose - Wallace.\u003c\/p\u003e\n\u003ch3\u003eContents\u003c\/h3\u003e\n\u003cul\u003e\u003cli\u003e\u003cstrong\u003e\u003cli\u003e\n\u003cstrong\u003eO motivo da menina Laite (Flute)\u003c\/strong\u003e — Santos, Andre M\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cli\u003e\n\u003cstrong\u003eO Oraculo de Delfos (Flute and Electronics)\u003c\/strong\u003e — da Ponte, Angela\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cli\u003e\n\u003cstrong\u003e#5 Letters to Wolfgang (Flute)\u003c\/strong\u003e — de Pinho, Nuno Peixoto\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cli\u003e\n\u003cstrong\u003eFriccoes: Prologo, Accao (Flute and Electronics)\u003c\/strong\u003e — Santos, Andre M\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cli\u003e\n\u003cstrong\u003eReencontros num jardim efemero (Flute)\u003c\/strong\u003e — Bispo, Catarina\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cli\u003e\n\u003cstrong\u003eVariacoes sobre Espaco #4 (Flute and Customized Software Package)\u003c\/strong\u003e — Lopes, Filipe\u003c\/li\u003e\u003c\/strong\u003e\u003c\/li\u003e\u003c\/strong\u003e\u003c\/li\u003e\u003c\/strong\u003e\u003c\/li\u003e\u003c\/strong\u003e\u003c\/li\u003e\u003c\/strong\u003e\u003c\/li\u003e\u003c\/strong\u003e\u003c\/li\u003e\u003c\/ul\u003e","brand":"Scherzo Editions","offers":[{"title":"Default Title","offer_id":46967920853286,"sku":"9790707707685","price":69.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790707707685_d.jpg?v=1697497617"},{"product_id":"korkokiou-m-loufopoulos-a-59-winds","title":"Korkokiou, M; Loufopoulos, A :: 59 Winds","description":"\u003cspan class=\"NameInDesc\"\u003e59 Winds\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eKorkokiou, M; Loufopoulos, A\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eMyrto Korkokiou and Apostolos Loufopoulos present 59 Winds for flute doubling bass flute and electronics.\u003c\/p\u003e\u003cp\u003eThe idea of 59 Winds is the experimentation and exploration of 'wind', one of the most important features in flute playing. In this piece the 'wind' creates a variety of timbres. The electronic part is based on flute sounds, which are electronically manipulated.\u003c\/p\u003e\u003cp\u003eDuration: 7 30. For the advanced player.\u003c\/p\u003e","brand":"Forton Music","offers":[{"title":"Default Title","offer_id":46968135221542,"sku":"9790570481446","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790570481446_d.jpg?v=1697503129"},{"product_id":"korkokiou-m-loufopoulos-a-anatole","title":"Korkokiou, M; Loufopoulos, A :: Anatole","description":"\u003cspan class=\"NameInDesc\"\u003eAnatole\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eKorkokiou, M; Loufopoulos, A\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eMyrto Korkokiou and Apostolos Loufopoulos present Anatole for flute and electronics.\u003c\/p\u003e\u003cp\u003eInspired by images and sounds of the 'East' (Anatole = East\/Dawn). The electronic part is made by electronically elaborated natural sounds of the flute, voice and percussion. The pre-recorded flute material in the electronic background is selected from individual flute improvisations on musical modes of the eastern Mediterranean.\u003c\/p\u003e\u003cp\u003eDuration: 5 15. For the advanced player.\u003c\/p\u003e","brand":"Forton Music","offers":[{"title":"Default Title","offer_id":46968135287078,"sku":"9790570481439","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790570481439_d.jpg?v=1697503136"},{"product_id":"korkokiou-m-loufopoulos-a-behaviours","title":"Korkokiou, M; Loufopoulos, A :: Behaviours","description":"\u003cspan class=\"NameInDesc\"\u003eBehaviours\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eKorkokiou, M; Loufopoulos, A\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eMyrto Korkokiou and Apostolos Loufopoulos present Behaviours for flute and electronics.\u003c\/p\u003e\u003cp\u003eThis piece presents a co-existence of flute sounds in the live instrument part with transformed sounds borrowed from the natural environment in the electronic sounds part. The musical context combines timbres resulting from particular flute techniques with sound behaviours deriving from the elaboration of environmental recordings (rain, wind, birds, insects etc).\u003c\/p\u003e\u003cp\u003eDuration: 12 20. For the advanced player.\u003c\/p\u003e","brand":"Forton Music","offers":[{"title":"Default Title","offer_id":46968135319846,"sku":"9790570481453","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790570481453_d.jpg?v=1697503142"},{"product_id":"korkokiou-m-loufopoulos-a-ghost","title":"Korkokiou, M; Loufopoulos, A :: Ghost","description":"\u003cspan class=\"NameInDesc\"\u003eGhost\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eKorkokiou, M; Loufopoulos, A\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eMyrto Korkokiou and Apostolos Loufopoulos present Ghost for alto flute and electronics.\u003c\/p\u003e\u003cp\u003eGhost (2010) is a continuous and kinetic transition between imaginary sound environments, an intense dialogue between the flute and the surrounding, continuously transforming sound-world of the electronics. The flute part uses a variety of wind tone articulations mostly imitating electronic sounds. This sound effect creates a homogeneity. Electronic part uses a lot of flute sounds electronic manipulated or not. The electronic part was composed by Apostolos Loufopoulos and the flute part by Myrto Korkokiou.\u003c\/p\u003e\u003cp\u003eDuration: 4 . For the advanced player.\u003c\/p\u003e","brand":"Forton Music","offers":[{"title":"Default Title","offer_id":46968135418150,"sku":"9790570484263","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790570484263_d.jpg?v=1697503148"},{"product_id":"sarda-a-selkit","title":"Sarda, A :: Selkit","description":"\u003cspan class=\"NameInDesc\"\u003eSelkit\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eSarda, A\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eAlbert Sarda presents Selkit for flute and electronics (or tape). An exploration of various techniques and sounds of the flute against intriguing electronic musical ideas.\u003c\/p\u003e\u003cp\u003eDuration: 11'. For advanced players.\u003c\/p\u003e","brand":"Periferia Publishing","offers":[{"title":"Default Title","offer_id":46968181948710,"sku":"9790543572171","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790543572171_d.jpg?v=1697504839"},{"product_id":"barboza-p-estratos","title":"Barboza, P :: Estratos","description":"\u003cspan class=\"NameInDesc\"\u003eEstratos\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eBarboza, P\u003c\/span\u003e\u003cbr\u003e\u003cp\u003ePedro Barboza presents ESTRATOS for flute, percussion, and tape (electronics). A complex work requiring a high level of virtuosity from both players in a distinctly modern musical language that uses atonal sounds and aggressive ideas to mimic ancient ritual music.\u003c\/p\u003e\u003cp\u003eDuration: 11'. Percussion (1 player): Bongos, 3 Tumbadoras, Goliat, Vibraphone.\u003c\/p\u003e","brand":"Periferia Publishing","offers":[{"title":"Default Title","offer_id":46968182079782,"sku":"9790543575769","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790543575769_d.jpg?v=1697504856"},{"product_id":"jones-de-yeonpyeong-island","title":"Jones, DE :: Yeonpyeong Island","description":"\u003cspan class=\"NameInDesc\"\u003eYeonpyeong Island\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eJones, DE\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eDavid Evan Jones presents Yeonpyeong Island for flute and electronics.\u003c\/p\u003e\u003cp\u003eYeonpyeong Island (2011) is one of a series of recent compositions that use computer processed versions of actual news broadcasts in combination with live instruments. These pieces transform reports of some of the difficult news of our day and bring them into the contemplative frame of the concert hall. Yeonpyeong Island, for Daegum and computer sounds, features a report from South Korean radio broadcast on the day after the North Koreans launched an attack on Yeonpyeong Island in South Korea, killing several people.\u003c\/p\u003e","brand":"American Composers Alliance","offers":[{"title":"Default Title","offer_id":46968223826214,"sku":"ACAJONE016","price":11.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/A00000ACAJONE016_d.jpg?v=1697506757"},{"product_id":"pecou-t-fragments-archeologiques","title":"Pecou, T :: Fragments archeologiques","description":"\u003cspan class=\"NameInDesc\"\u003eFragments archeologiques\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003ePecou, T\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eThierry Pecou presents Fragments archeologiques for flute trio (piccolo doubling flute, flute, and flute doubling alto flute) and pre-recorded sound.\u003c\/p\u003e\u003cp\u003eDuring excavations undertaken this year in 2758, archeologists have discovered two small but amazingly well-preserved discs made of synthetic material containing coded information; these objects most probably originate from American-European civilizations and have been dated by historians to the period at the beginning of the third millennium. One of the two discs contains musical symbols which have for the most part been deleted, but still permit the recognition of a continuous scheme. Researchers have cooperated with a group of musicians to reconstruct music from the fragments discovered on the two discs, thereby permitting us to approach the musical world of humans from this long-gone era. Strangely enough, researchers have established that these fragments display potential connections with two distinct cultures at a great distance from one another: European culture from the end of the twentieth century and the Aymaran culture originating in the High Andes in South America.\u003c\/p\u003e\u003cp\u003eDuration: 10'. For advanced players.\u003c\/p\u003e","brand":"Schott","offers":[{"title":"Default Title","offer_id":46968377344294,"sku":"9790001202428","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790001202428_d.jpg?v=1697510212"},{"product_id":"kouyoumdjian-m-peony","title":"Kouyoumdjian, M :: Peony","description":"\u003cp\u003e\r\n\t\u003cspan class=\"NameInDesc\"\u003ePeony\u003c\/span\u003e\u003cbr\u003e\r\n\t\u003cspan class=\"ComposerInDesc\"\u003eKouyoumdjian, M\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cbr\u003e\r\n\u003cp\u003e\r\n\tMary Kouyoumdjian (b. 1983) is a composer with projects ranging from concert works to multimedia collaborations and film scores. As a first generation Armenian-American and having come from a family directly affected by the Lebanese Civil War and Armenian Genocide, she uses a sonic palette that draws on her heritage, interest in music as documentary, and background in experimental composition to progressively blend the old with the new.\u003c\/p\u003e\r\n\u003cp\u003e\r\n\tPeony (2019), for solo flute and electronics, was commissioned by the National Flute Association for the 2019 High School Soloist Competition - joining works such as Pattillo's Three Beats, Coleman's Fanmi Imen, and Dick's Lookout.\u003c\/p\u003e\r\n\u003cp\u003e\r\n\tPeony itself is a celebration of life after loss. Glockenspiel and flute-like clusters of sound create a delicate garden against which the flute fiercely dances or sings with bell tones, joined intermittently by a bass drum.\u003c\/p\u003e\r\n","brand":"Project Schott New York: Composer Edition (PSNY)","offers":[{"title":"Default Title","offer_id":46968385306918,"sku":"PSNY20190222","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/C000PSNY20190222_d.jpg?v=1697510552"},{"product_id":"lesburgueres-j-une-flute-itinerante","title":"Lesburgueres, J :: Une flute itinerante","description":"\u003cspan class=\"NameInDesc\"\u003eUne flute itinerante\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"ComposerInDesc\"\u003eLesburgueres, J\u003c\/span\u003e\u003cbr\u003e\u003cp\u003eThis collection of six short pieces - for flute and accompanying electronics - by Jacques Lesburgueres is engaging and original, with a diverse selection of styles.\u003c\/p\u003e \u003cp\u003eIn the first piece  Devil s Dance,  Indian colors swirls against tubular bells, sitars, tablas, and other flutes.\u003c\/p\u003e\u003cp\u003eThe second piece,  Marine , is more traditional; melodically and rhythmically it s simple, with gentle pop-like charm.\u003c\/p\u003e\u003cp\u003e Fleur de jasmin , accompanied by harp and percussion, is undoubtedly inspired by Ravel -  Empress of the pagodas  from Ma mere l oye emerges with the doubled eighth notes precipitating in pentatonic mode.\u003c\/p\u003e\u003cp\u003eIt is the savannah that one imagines in  Africa Jingle , thanks to the African percussion in the electronic part.\u003c\/p\u003e\u003cp\u003e Rue Montmartre  is quieter, played with a string quartet, a harp, and a glockenspiel.\u003c\/p\u003e\u003cp\u003eThe last piece,  Noel au Balkan , has a very quick tempo with shifting time signatures in odd measures with irregular accents. This modal Christmas evokes the folklore of the Balkans with its accompaniment of flutes, clarinets, double basses, and percussion.\u003c\/p\u003e","brand":"Editions Henry Lemoine","offers":[{"title":"Default Title","offer_id":46968951177510,"sku":"9790230993043","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790230993043_d.jpg?v=1697520278"},{"product_id":"beglarian-e-preciosilla","title":"Beglarian, E :: Preciosilla","description":"\u003cp\u003e\u003cem\u003ePreciosilla\u003c\/em\u003e is a song setting of Gertrude Stein’s poem that places the text in the realm of the rhythm section instead of in the realm of the melody where lyrics are conventionally found. The composer’s reading of the text was sampled by an Akai S1000. The flutist’s melody has quotes from pop love songs and other familiar music embedded in musical stream-of-consciousness writing that attempts to emulate Gertrude’s handling of text.\u003c\/p\u003e","brand":"EVBVD Music","offers":[{"title":"Default Title","offer_id":46969124651302,"sku":"EVBVD002","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/80000000EVBVD002.jpg?v=1697522199"},{"product_id":"beglarian-e-i-will-not-be-sad-in-this-world","title":"Beglarian, E :: I Will Not Be Sad In This World","description":"\u003cstyle type=\"text\/css\"\u003e\np.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Verdana}\n\u003c\/style\u003e\u003cp\u003eBased on an Armenian troubadour song, \u003cem\u003eI WILL NOT BE SAD IN THIS WORLD\u003c\/em\u003e is a uniquely beautiful work for alto flute (or bass flute) accompanied by a pre-recorded audio track made purely from the composer’s own singing. The result is a fluid interplay between the live flute and the composer’s multi-tracked and processed vocal sonorities. The work was created for Marya Martin’s \u003cem\u003eEight Visions\u003c\/em\u003e collection (published by Presser), and is now available as a single publication.\u003c\/p\u003e\u003cp\u003ePlease note this publication includes a score only and no separate flute part.\u003c\/p\u003e","brand":"Theodore Presser","offers":[{"title":"Default Title","offer_id":46969389547814,"sku":"9781491133828","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009781491133828.jpg?v=1697524062"}],"url":"https:\/\/www.flute4u.com\/collections\/flute-electronics.oembed","provider":"Carolyn Nussbaum Music Company","version":"1.0","type":"link"}