{"title":"Flute Headjoints","description":"","products":[{"product_id":"sankyo-headjoint","title":"Sankyo Headjoint","description":"\u003cp\u003eThe headjoint and embouchure hole are considered the most important parts of the flute since they enable the flutist to produce and control the sound. With Sankyo headjoints both edges of the embouchure have been slightly rounded and the plate height and embouchure have been altered to allow for a larger and richer variety of tones. Sankyo offers several types of headjoint styles to suit the preference of different flutists. Sankyo headjoints are available in Sterling silver, .997 Pure Silver, 10k Gold, 14k Gold, and Grenadilla wood.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHeadjoint Styles\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eST\u003c\/strong\u003e - Standard lip plate with a riser that balances the full range. Warm and expressive, allowing for spin and projection with smooth fluidity.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRT\u003c\/strong\u003e - Round top, modern design lip plate that aims for a quick response and strong low register coupled with a riser that favors the low register. Full, dark, strong tone able to achieve a powerful sound.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFT\u003c\/strong\u003e - Flat top, mixes characteristics of both ST and RT cuts. Strong throughout, especially in the high register.\u003c\/p\u003e","brand":"Sankyo","offers":[{"title":"Default Title","offer_id":46964539261222,"sku":"HJSANKXXXXXXX-0","price":2250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/files\/Sankyo_20headjoint_20_new_20-_20lip.jpg?v=1772839799"},{"product_id":"altus-headjoints","title":"Altus Headjoints","description":"\u003cp\u003eRenowned for producing the trademark Altus sound, Altus handcrafted headjoints are offered with three different cuts and a variety of tubing material including .925 Sterling silver, .958 Britannia silver, .958 seamed Britannia silver, .997 Pure Silver, Altus .946 Silver™, and 14k Gold**. Options include 14k Gold riser, 14k Gold lip plate and riser, heavy wall tubing*, and 18k Gold or Platinum Atsui plating.\u003c\/p\u003e\u003ch2 style=\"color:#9a8879;margin-top:1.5em;margin-bottom:.1em;\"\u003eHeadjoint Cuts\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eThe Altus Classic Cut\u003c\/strong\u003e – Known for producing the classic Altus sound, the Classic Cut provides warmth with a pure tonal center and excellent projection with flexibility and an infinite color palette.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe Altus Z-Cut™\u003c\/strong\u003e – Has an open and free sound with a darker tonal color. The Z-Cut™ has a more rectangular embouchure hole with minimum over and undercutting, producing a quick response without sacrificing flexibility and control.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe Altus V-Cut\u003c\/strong\u003e – is capable of producing exceptional depth without sacrificing flexibility. The V-Cut is one of Altus most powerful headjoints, and features a high front wall and steep angled lip plate.\u003c\/p\u003e\u003ch2 style=\"color:#9a8879;margin-top:1.5em;margin-bottom:.1em;\"\u003eAlloys\u003c\/h2\u003e\u003cp style=\"color:#555;\"\u003e\u003cstrong\u003eSterling 925 Silver\u003c\/strong\u003e – Comprised of 92.5% silver, Sterling has long been the industry standard for making high quality flutes.\u003c\/p\u003e\u003cp style=\"color:#555;\"\u003e\u003cstrong\u003eBritannia 958 Silver\u003c\/strong\u003e – A traditionally created silver alloy composed of 95.8% silver. The remaining common metals balance a dark, rich tonal color without sacrificing brilliance.\u003c\/p\u003e\u003cp style=\"color:#555;\"\u003e\u003cstrong\u003eAltus 946 Silver™\u003c\/strong\u003e – The proprietary Altus Limited (AL) alloy combines silver with the world’s finest precious metals. It is a perfectly engineered blend consisting of 94.6% silver and 18 precious metals, including small amounts of platinum and gold. Inspired by the preferred metallurgy of the great French flute making tradition, Altus silver was designed specifically for seamed tube creation. Altus silver provides the correct silver blend for extensive hand forming and represents the high art in flute making available today. This results in a flute capable of producing a wide array of complex tonal colors.\u003c\/p\u003e\u003cp style=\"color:#555;\"\u003e\u003cstrong\u003ePure 997 Silver\u003c\/strong\u003e – The exclusive powdered Pure Silver (PS) tube is made possible only through highly innovative sinter technology. Normally, pure silver is too soft for successful flute tube production because it requires trace amounts of harder metals in the alloy to give it sufficient strength. The traditional method of creating a melted metal alloy results in pure silver tubes unsuitable for flute making. Sinter technology creates hard tubes of pure silver by compacting the silver under great pressure without melting it into a soft alloy. This unique process produces a dense and brilliant hard silver tube with supreme projecting qualities.\u003c\/p\u003e\u003cp style=\"color:#555;\"\u003e\u003cstrong\u003e14K Gold\u003c\/strong\u003e – This karat is the most widely preferred gold alloy with sufficient density allowing a standard thin gold tube. 14K gold’s tone color is dark and warm and its response is both flexible and pure.\u003c\/p\u003e\u003ch2 style=\"color:#9a8879;margin-bottom:.1em;\"\u003eTubing\u003c\/h2\u003e\u003cp style=\"color:#555;\"\u003e\u003cstrong\u003eSeamed Tubing\u003c\/strong\u003e – Made from a flat piece of metal that is rolled, hand planished, and then seamed.\u003c\/p\u003e\u003cp style=\"color:#555;\"\u003e\u003cstrong\u003eSintered Tubing\u003c\/strong\u003e – A process unique to Altus where powdered silver metal is compacted at a higher temperature to fuse particles together directly into a rigid tube.\u003c\/p\u003e\u003cp style=\"color:#555;\"\u003e\u003cstrong\u003eExtruded Tubing\u003c\/strong\u003e – Metal is drawn over a mandrel through a precise die to form a tube. This construction is the modern standard in the flute industry.\u003c\/p\u003e\u003ch2 style=\"color:#9a8879;margin-bottom:.1em;\"\u003eAtsui Finish\u003c\/h2\u003e\u003cp style=\"color:#555;\"\u003eIn Japanese, Atsui means hot or deep, powerful, and strong. By adding a layer of precious metal, many unique possibilities can be created to deliver unprecedented power infusing intensity into any score. The existing tube is clad with a thick layer of either 18K Gold or Platinum.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e* Not available on .958 Britannia Silver Seamed, .997 Pure Silver or .946 Altus Silver™\u003c\/p\u003e\u003cp\u003e** 14k Gold headjoint prices are available on request.\u003c\/p\u003e","brand":"Altus","offers":[{"title":"Default Title","offer_id":46965719793958,"sku":"HJALTSXXXXXXX-0","price":1600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/Altus_20Headjoints.jpg?v=1697466477"},{"product_id":"mckenna-headjoint-m-series","title":"McKenna Headjoint M Series","description":"\u003cp\u003eIt used to be thought that there was a magical combination between the headjoint and the body of a flute as purchased from one of the major companies. Despite the shortcomings of the particular combination that one received, people learned to play their instrument as is. Most players now realize that the synergy between the flute body, the headjoint and the individual is something to be arrived at with the same attention that ones gives to tone and technique.\u003c\/p\u003e\u003cp\u003eChris McKenna is considered by many to be one of the finest headjoint makers in the world. It takes tremendous skill to make a quality headjoint, and Chris McKenna has dedicated his life to his unique skill.\u003c\/p\u003e\u003cp\u003eChris has introduced the M Series line of flute headjoints. The M Series is inspired by the most popular and innovative designs in high end flutemaking. The M Series is available in a variety of metal combinations to meet your specific needs. All M Series headjoints feature a gold riser to add color and nuance to the sound and custom Adler Wings to provide focus, clarity, and greater control of dynamics.\u003c\/p\u003e\u003cp\u003eAll M Series headjoint models are available in two different styles of headjoint cut, \u003cstrong\u003ethe McKenna Classic cut\u003c\/strong\u003e and \u003cstrong\u003ethe McKenna Vortex cut\u003c\/strong\u003e. The McKenna Classic cut features warmth, richness, and a traditional balance of orchestral colors. The McKenna Vortex cut provides immediate power and response, very resonant with a strong, stable core.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eM925 Series \u003c\/strong\u003efeatures a Sterling silver tube and 14k gold riser (18k gold riser option available) with options for either wood, silver, or 14k gold lip plates.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eM95\/5 Series \u003c\/strong\u003efeatures a 95% silver and 5% platinum tube paired with a 14k gold riser. Lip plates are available in either silver or 14k gold. The M95\/5 Series brings out a rich, mellow color with good projection, is responsive and lively with a bit more spin and brilliance. The tone is richer in the upper partials.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eM Series Premier in Rose Gold \u003c\/strong\u003eis crafted entirely of either 14k or 19.5k Rose Gold, with more depth, resistance, core, and density.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e14 and 19.5 Karat Gold \u003c\/strong\u003ecreates the greatest impact and depth in this range of Gold timbres.\u003c\/p\u003e\u003cp\u003e14k Adler Wings are standard on all headjoints unless specified otherwise.\u003c\/p\u003e","brand":"McKenna","offers":[{"title":"Default Title","offer_id":46965722448166,"sku":"HJMCKNXXXXXXX-0","price":2900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D00HJMCKNXXXXXXX_x1_jpg.png?v=1773513485"},{"product_id":"miyazawa-headjoint-silver-new","title":"Miyazawa Headjoint Silver (New)","description":"\u003cp\u003e\u003cstrong\u003eMiyazawa\u003c\/strong\u003e is particularly noted for their handmade headjoints, each with their own tonal color, response, and projection. The price of each Miyazawa flute includes the player's choice of headjoint style, though Miyazawa headjoints are also available for separate purchase - invaluable for beginners looking to upgrade their machine-made flutes for more flexibility and color, or for professionals looking for new color and texture in their sound.\u003c\/p\u003e\n\u003ch3\u003eMX Series\u003c\/h3\u003e\n\u003cp\u003eThe MX Series headjoints feature a contemporary crown design and a golden-etched Miyazawa logo to emphasize their new, contemporary take on sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMX-1\u003c\/strong\u003e - Characterized by a centered, focused sound that is easy to control. The dark harmonics result in a dense penetration that is consistent throughout all registers. With an ample amount of resistance, this style provides a solid foundation for articulation.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMX-2\u003c\/strong\u003e - Open sound with a tonal complexity that allows for great freedom of expression. Full-bodied and responsive, while articulation is crisp and clean. Able to accommodate a high volume of air, this powerful style provides expansive projection with great stability.\u003c\/p\u003e","brand":"Miyazawa","offers":[{"title":"Default Title","offer_id":46965723070758,"sku":"HJMIYAXXXXXXX-0","price":2250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/files\/Images_20Coming_20Soon-01_20_1__2_b85277d8-360b-4356-b879-09f7b05ab2b7.jpg?v=1772839767"},{"product_id":"powell-headjoint-signature-ii-new","title":"Powell Headjoint- Signature II (New)","description":"\u003cp\u003eVerne Q Powell's Signature II headjoints are designed directly in response to the high demand for comfortable playing that retains the distinct flexibility, richness, and quick response of the Powell sound. Signature II headjoints are always created with .016\" sterling silver tubing, lip plates, and crowns, though flutists also have the option of adding a 14k gold riser.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eSignature II\u003c\/strong\u003e takes the original Powell Signature headjoint one step further, for players that desire even more freedom in sound. Style elements from Powell's Custom headjoints are melded with the original Signature base to create the Signature II and provide an even greater feeling of freedom and richness. This is especially helpful for players who desire the least amount of resistance they can get - with the greatest amount of tonal flexibility - so as to retain that distinct Powell sound.\u003c\/p\u003e","brand":"Powell","offers":[{"title":"Default Title","offer_id":46965728608550,"sku":"HJPOWLSIGNXXX-0","price":1903.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/powell-signature-01.png?v=1697466524"},{"product_id":"powell-headjoint-sterling-silver-new","title":"Powell Headjoint - Sterling Silver (New)","description":"\u003cp\u003eEach Powell flute has a unique character, yet all bear a family resemblance. Powell instruments are made with care to exacting tolerances and, ultimately, a Powell flute or piccolo is crafted to a musical performance standard. From the first flute made in 1906 by Verne Q. Powell to today's Powell flute, the humanity of each artisan at Powell is reflected in the character of the instrument. The feel of a key or the aesthetic of a pointed arm are the subtle and telltale signs of the individuality of the flutemaker.\u003c\/p\u003e\n\u003cp\u003eThe most important part of the flute, a hand-cut headjoint can improve any instrument and can offer a player many new options for sound and response. Each handmade Powell headjoint is cut by hand and tested by a professional flutist at Powell’s workshop.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePowell Sterling silver headjoints are available in five styles (cuts) and two wall tube thicknesses, 0.014 and 0.016. Upgrades to the lip plate and riser are also available.\u003c\/p\u003e\n\u003ch2\u003eHeadjoint Cut Styles\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/h2\u003e\n\u003ch3\u003eEuropa\u003c\/h3\u003e\n\u003cp\u003ePowell’s newest headjoint style, the Europa, was inspired by the German school of flute sound and offers exceptional stability with a deep, rich tone. \u003c\/p\u003e\n\u003ch3\u003eLumina\u003c\/h3\u003e\n\u003cp\u003ePowell’s newest headjoint style, the Lumina, has a clean and energetic sound that moves quickly throughout the range with little effort. The Lumina is described as being ‘supple, yet responsive’. This is a headjoint with style and panache.\u003c\/p\u003e\n\u003ch3\u003ePhilharmonic\u003c\/h3\u003e\n\u003cp\u003eThe Philharmonic headjoint is readily identified by its broader embouchure plate, which makes it the most resistant of the styles offered by Powell. Articulation is crisp and clean, and this style is capable of broad dynamic and timbral ranges. A player can create a rich tone with extraordinary carrying power and focus.\u003c\/p\u003e\n\u003ch3\u003eSoloist\u003c\/h3\u003e\n\u003cp\u003eThe Soloist headjoint is the newest addition to the headjoint styles offered by Powell. This new style was developed in collaboration with renowned flutist, Ransom Wilson. The Soloist headjoint features strength and flexibility. It offers a strong sound which allows the player to fill a hall, as well as complete command for performing the quietest of passages. The embouchure plate, which is similar to the Boston style, provides the player with quick, responsive articulation while a new style of undercutting gives the headjoint its strong, full color.\u003c\/p\u003e\n\u003ch3\u003eVenti\u003c\/h3\u003e\n\u003cp\u003eThe name \"Venti\" encapsulates the concept of a headjoint that allows air to pass freely through the instrument and beyond, giving the performer variations of flexibility, dynamics, power and sound. Powell has worked with international flautist, Paul Edmund-Davies to develop this latest headjoint style. Mr. Edmund-Davies became interested in the development of this style due to the prospect of playing on a headjoint that mirrored his experiences of singing in a cathedral choir. Paul's concept of a natural approach to the instrument incorporates an open and unrestricted style, with reference in particular to a more resonant and free 3rd octave. The result is a headjoint that allows for depth of sound through all three octaves, even pitch and dynamic range, as well as a sound that is powerful without being wild or breaking up.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Powell","offers":[{"title":"Default Title","offer_id":46965728805158,"sku":"HJPOWLSSXXXXX-0","price":2337.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/powell-sterling.png?v=1697466528"},{"product_id":"powell-headjoint-aurumite-new","title":"Powell Headjoint - Aurumite (New)","description":"\u003cp\u003eEach Powell flute has a unique character, yet all bear a family resemblance. Powell instruments are made with care to exacting tolerances and, ultimately, a Powell flute or piccolo is crafted to a musical performance standard. From the first flute made in 1906 by Verne Q. Powell to today's Powell flute, the humanity of each artisan at Powell is reflected in the character of the instrument. The feel of a key or the aesthetic of a pointed arm are the subtle and telltale signs of the individuality of the flutemaker.\u003c\/p\u003e\n\u003cp\u003eThe most important part of the flute, a hand-cut headjoint can improve any instrument and can offer a player many new options for sound and response. Each handmade Powell headjoint is cut by hand and tested by a professional flutist at Powell’s workshop.\u003c\/p\u003e\n\u003cp\u003eThe patented \u003cstrong\u003ePowell Aurumite\u003c\/strong\u003e 9k headjoint is made from Sterling silver and 9k Rose Gold bonded together and available in five headjoint styles (cuts).\u003c\/p\u003e\n\u003ch2\u003eHeadjoint Cut Styles\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/h2\u003e\n\u003ch3\u003eEuropa\u003c\/h3\u003e\n\u003cp\u003ePowell’s newest headjoint style, the Europa, was inspired by the German school of flute sound and offers exceptional stability with a deep, rich tone. \u003c\/p\u003e\n\u003ch3\u003eLumina\u003c\/h3\u003e\n\u003cp\u003eThe Lumina has a clean and energetic sound that moves quickly throughout the range with little effort. The Lumina is described as being ‘supple, yet responsive’. This is a headjoint with style and panache.\u003c\/p\u003e\n\u003ch3\u003ePhilharmonic\u003c\/h3\u003e\n\u003cp\u003eThe Philharmonic headjoint is readily identified by its broader embouchure plate, which makes it the most resistant of the styles offered by Powell. Articulation is crisp and clean, and this style is capable of broad dynamic and timbral ranges. A player can create a rich tone with extraordinary carrying power and focus.\u003c\/p\u003e\n\u003ch3\u003eSoloist\u003c\/h3\u003e\n\u003cp\u003eThe Soloist headjoint is the newest addition to the headjoint styles offered by Powell. This new style was developed in collaboration with renowned flutist, Ransom Wilson. The Soloist headjoint features strength and flexibility. It offers a strong sound which allows the player to fill a hall, as well as complete command for performing the quietest of passages. The embouchure plate, which is similar to the Boston style, provides the player with quick, responsive articulation while a new style of undercutting gives the headjoint its strong, full color.\u003c\/p\u003e\n\u003ch3\u003eVenti\u003c\/h3\u003e\n\u003cp\u003eThe name \"Venti\" encapsulates the concept of a headjoint that allows air to pass freely through the instrument and beyond, giving the performer variations of flexibility, dynamics, power and sound. Powell has worked with international flautist, Paul Edmund-Davies to develop this latest headjoint style. Mr. Edmund-Davies became interested in the development of this style due to the prospect of playing on a headjoint that mirrored his experiences of singing in a cathedral choir. Paul's concept of a natural approach to the instrument incorporates an open and unrestricted style, with reference in particular to a more resonant and free 3rd octave. The result is a headjoint that allows for depth of sound through all three octaves, even pitch and dynamic range, as well as a sound that is powerful without being wild or breaking up.\u003c\/p\u003e","brand":"Powell","offers":[{"title":"Default Title","offer_id":46965730902310,"sku":"HJPOWLAURMXXX-0","price":4573.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/ezgif-2-b7783d30615a.jpg?v=1697466541"},{"product_id":"powell-headjoint-gold-new","title":"Powell Headjoint- Gold (New)","description":"\u003cp\u003eEach Powell flute has a unique character, yet all bear a family resemblance. Powell instruments are made with care to exacting tolerances and, ultimately, a Powell flute or piccolo is crafted to a musical performance standard. From the first flute made in 1906 by Verne Q. Powell to today's Powell flute, the humanity of each artisan at Powell is reflected in the character of the instrument. The feel of a key or the aesthetic of a pointed arm are the subtle and telltale signs of the individuality of the flutemaker.\u003c\/p\u003e\n\u003cp\u003eThe most important part of the flute, a hand-cut headjoint can improve any instrument and can offer a player many new options for sound and response. Each handmade Powell headjoint is cut by hand and tested by a professional flutist at Powell’s workshop.\u003c\/p\u003e\n\u003cp\u003eEach Gold Powell headjoint is available in a selection of either 14k, 18k, or 19.5k Rose Gold. Gold wings and Platinum riser options are also available, along with a selection of Powell’s premier headjoint cuts.\u003c\/p\u003e\n\u003ch2\u003eHeadjoint Cut Styles\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/h2\u003e\n\u003ch3\u003eEuropa\u003c\/h3\u003e\n\u003cp\u003ePowell’s newest headjoint style, the Europa, was inspired by the German school of flute sound and offers exceptional stability with a deep, rich tone. \u003c\/p\u003e\n\u003ch3\u003eLumina\u003c\/h3\u003e\n\u003cp\u003eThe Lumina has a clean and energetic sound that moves quickly throughout the range with little effort. The Lumina is described as being ‘supple, yet responsive’. This is a headjoint with style and panache.\u003c\/p\u003e\n\u003ch3\u003ePhilharmonic\u003c\/h3\u003e\n\u003cp\u003eThe Philharmonic headjoint is readily identified by its broader embouchure plate, which makes it the most resistant of the styles offered by Powell. Articulation is crisp and clean, and this style is capable of broad dynamic and timbral ranges. A player can create a rich tone with extraordinary carrying power and focus.\u003c\/p\u003e\n\u003ch3\u003eSoloist\u003c\/h3\u003e\n\u003cp\u003eThe Soloist headjoint is the newest addition to the headjoint styles offered by Powell. This new style was developed in collaboration with renowned flutist, Ransom Wilson. The Soloist headjoint features strength and flexibility. It offers a strong sound which allows the player to fill a hall, as well as complete command for performing the quietest of passages. The embouchure plate, which is similar to the Boston style, provides the player with quick, responsive articulation while a new style of undercutting gives the headjoint its strong, full color.\u003c\/p\u003e\n\u003ch3\u003eVenti\u003c\/h3\u003e\n\u003cp\u003eThe name \"Venti\" encapsulates the concept of a headjoint that allows air to pass freely through the instrument and beyond, giving the performer variations of flexibility, dynamics, power and sound. Powell has worked with international flautist, Paul Edmund-Davies to develop this latest headjoint style. Mr. Edmund-Davies became interested in the development of this style due to the prospect of playing on a headjoint that mirrored his experiences of singing in a cathedral choir. Paul's concept of a natural approach to the instrument incorporates an open and unrestricted style, with reference in particular to a more resonant and free 3rd octave. The result is a headjoint that allows for depth of sound through all three octaves, even pitch and dynamic range, as well as a sound that is powerful without being wild or breaking up.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Powell","offers":[{"title":"Default Title","offer_id":46965732213030,"sku":"HJPOWLGOLDXXX-0","price":16057.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/powell-philharmonic_20copy.png?v=1697466551"},{"product_id":"powell-headjoint-platinum-new","title":"Powell Headjoint- Platinum (New)","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFinal price will be confirmed on request based on current market conditions.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach Powell flute has a unique character, yet all bear a family resemblance. Powell instruments are made with care to exacting tolerances and, ultimately, a Powell flute or piccolo is crafted to a musical performance standard. From the first flute made in 1906 by Verne Q. Powell to today's Powell flute, the humanity of each artisan at Powell is reflected in the character of the instrument. The feel of a key or the aesthetic of a pointed arm are the subtle and telltale signs of the individuality of the flutemaker.\u003c\/p\u003e\n\u003cp\u003eThe most important part of the flute, a hand-cut headjoint can improve any instrument and can offer a player many new options for sound and response. Each handmade Powell headjoint is cut by hand and tested by a professional flutist at Powell’s workshop.\u003c\/p\u003e\n\u003cp\u003eEach Platinum Powell headjoint pairs a Platinum tube (.010 wall) with a 14k Gold lip plate and crown with a Platinum riser. Every headjoint is available with any of Powell’s premier headjoint cut styles.\u003c\/p\u003e\n\u003ch2\u003eHeadjoint Cut Styles\u003c\/h2\u003e\n\u003ch3\u003eLumina\u003c\/h3\u003e\n\u003cp\u003ePowell’s newest headjoint style, the Lumina, has a clean and energetic sound that moves quickly throughout the range with little effort. The Lumina is described as being ‘supple, yet responsive’. This is a headjoint with style and panache.\u003c\/p\u003e\n\u003ch3\u003ePhilharmonic\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Philharmonic headjoint is readily identified by its broader embouchure plate, which makes it the most resistant of the styles offered by Powell. Articulation is crisp and clean, and this style is capable of broad dynamic and timbral ranges. 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A player can create a rich tone with extraordinary carrying power and focus.\u003c\/p\u003e\n\u003ch3\u003eSoloist\u003c\/h3\u003e\n\u003cp\u003eThe Soloist headjoint is the newest addition to the headjoint styles offered by Powell. This new style was developed in collaboration with renowned flutist, Ransom Wilson. The Soloist headjoint features strength and flexibility. It offers a strong sound which allows the player to fill a hall, as well as complete command for performing the quietest of passages. The embouchure plate, which is similar to the Boston style, provides the player with quick, responsive articulation while a new style of undercutting gives the headjoint its strong, full color.\u003c\/p\u003e\n\u003ch3\u003eVenti\u003c\/h3\u003e\n\u003cp\u003eThe name \"Venti\" encapsulates the concept of a headjoint that allows air to pass freely through the instrument and beyond, giving the performer variations of flexibility, dynamics, power and sound. Powell has worked with international flautist, Paul Edmund-Davies to develop this latest headjoint style. Mr. Edmund-Davies became interested in the development of this style due to the prospect of playing on a headjoint that mirrored his experiences of singing in a cathedral choir. Paul's concept of a natural approach to the instrument incorporates an open and unrestricted style, with reference in particular to a more resonant and free 3rd octave. 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Mr. Williams has always found the tone production to be too directed on most modern headjoints, and so has designed his headjoint specifically to allow a much broader palette of tonal color throughout the dynamic range.\u003c\/p\u003e\n\u003cp\u003eAll our used, pre-owned, and demo instruments are fully serviced before made available for sale. 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Many possibilities in contemporary repertoire (and in classical violin repertoire, for example, for the consummate transcriber) subsequently become available with this liquid approach to pitch.\u003c\/p\u003e\u003cp\u003eTo accomplish this effect, two wings extend from the headjoint to rest against the cheeks and enable the headjoint to easily follow your embouchure. The carefully positioned center of weight of the headjoint also allows the flute to feel balanced in your hands whether in home position or in full slide. 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