{"title":"Tampere Flute Fest","description":"\u003cp\u003e\u003cimg src=\"images\/content\/1637942124604.png\" style=\"width: 939px;\" class=\"fr-fic fr-dib\" data-size=\"104923\" data-width=\"1024\" data-height=\"182\" data-url=\"images\/content\/1637942124604.png\" data-id=\"178\" data-message=\"File was successfully uploaded\"\u003e\u003c\/p\u003e\u003chr\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"images\/content\/Logo-Vector-TFF.png\" style=\"width: 300px;\" class=\"fr-fic fr-dib\" data-size=\"49744\" data-width=\"1781\" data-height=\"1760\" data-url=\"images\/content\/Logo-Vector-TFF.png\" data-id=\"181\" data-message=\"File was successfully uploaded\"\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch1 align=\"center\"\u003eYoung Artist Competition 2022\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003ePreliminary round videos are due on Friday, December 31, 2021 for Category A and Monday, January 31, 2022 for Category B and C\u003c\/strong\u003e\u003c\/p\u003e\u003chr\u003e\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eCategory A \u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: center;\"\u003e18-30 years old\u003c\/p\u003e\u003cp style=\"text-align: center;\"\u003ePrizes:\u003c\/p\u003e\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003eFirst Place - 3000€\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003eSecond Place - 1500€\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003eThird Place - 1000€\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003ePreliminary Video Round:\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eNicolas Chèdeville (Attr. to Vivaldi),\u003ca href=\"https:\/\/www.flute4u.com\/Chedeville-N-Il-Pastor-Fido-attributed-to-Vivaldi.html\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e \"Il Pastor Fido\" Sonata No. 6\u003c\/a\u003e\n\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eChoose one of the following:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eNicolò Paganini, \u003ca href=\"https:\/\/www.flute4u.com\/Paganini-N-24-Caprices-for-Flute.html\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e24 Caprices\u003c\/a\u003e - choose one caprice\u003c\/li\u003e\n\u003cli\u003eErnesto Köhler, \u003ca href=\"https:\/\/www.flute4u.com\/Kohler-E-Virtuose-Etuden-op.-75-II-Virtuoso-Studies-op.-75-II.html\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eOp. 75, No. 30\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003eSemifinal Video Round:\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eChoose one of the following:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eHenri Büsser, \u003ca href=\"https:\/\/www.flute4u.com\/Various-Flute-Music-by-French-Composers-D009781617806322.html\" rel=\"noopener noreferrer\" target=\"_blank\"\u003ePrélude et Scherzo op. 35\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003ePhilippe Gaubert, \u003ca href=\"https:\/\/www.flute4u.com\/Various-Flute-Music-by-French-Composers-D009781617806322.html\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eNocturne et Allegro scherzando\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eChoose one of the following:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eIan Clarke, \u003ca href=\"https:\/\/www.flute4u.com\/Clarke-I-Zoom-Tube.html\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eZoom Tube\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eKalevi Aho, \u003ca href=\"https:\/\/www.flute4u.com\/Aho-K-Solo-III-Special-Order-Edition.html\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eSolo III, Presto\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003ePanayiotis Kokoras, Cycling\u003c\/li\u003e\n\u003cli\u003eToru Takemitsu, \u003ca href=\"https:\/\/www.flute4u.com\/Takemitsu-T-Itinerant.html\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eItinérant\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eTo be included in a 15-minute program of candidate's choice\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003eFinal Live Round:\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe Final Round will take place live in Tampere on Sunday, April 24, 2022.\u003c\/p\u003e\u003cul\u003e\u003cli\u003eWolfgang Amadeus Mozart's Violin Concerto in A Major KV 219, 1st Mvt, to be included in a 20-25 minute program of candidates choice.\u003c\/li\u003e\u003c\/ul\u003e\u003chr\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eCategory B\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: center;\"\u003e12-17 years old\u003c\/p\u003e\u003cp style=\"text-align: center;\"\u003ePrizes:\u003c\/p\u003e\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003eFirst Place - 1000€\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003eSecond Place - 700€\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003eThird Place - 500€\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003ePreliminary Video Round:\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGeorg Philipp Telemann, \u003ca href=\"https:\/\/www.flute4u.com\/Telemann-GP-Zwolf-Fantasien-Twelve-Fantasias.html\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eFantasie in E minor\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eCharles-Mary Widor, \u003ca href=\"https:\/\/www.flute4u.com\/Widor-CM-Suite.html\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eSuite, Mvt. III\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003eFinal Video Round:\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eAaron Copland, \u003ca href=\"https:\/\/www.flute4u.com\/Copland-A-Duo-for-Flute-and-Piano.html\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eDuo for flute and piano, Mvt. I\u003c\/a\u003e, to be included in a 15-minute program of candidate's choice.\u003c\/li\u003e\u003c\/ul\u003e\u003chr\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eCategory C\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: center;\"\u003e6-11 years old\u003c\/p\u003e\u003cp style=\"text-align: center;\"\u003ePrizes:\u003c\/p\u003e\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003eFirst Place - 350€\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003eSecond Place - 150€\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003eThird Place - 100€ \u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003ePreliminary Video Round:\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaria Theresia von Paradis, Siciliano, G Major with piano or guitar accompaniment (suggested edition: arr. Klas Krantz)\u003c\/li\u003e\n\u003cli\u003eOne etude for flute solo of participant's choice\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003eFinal Video Round:\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eMoritz Moszkowski's \u003ca href=\"https:\/\/www.flute4u.com\/Moszkowski-M-Spanish-Dances.html\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eSpanish Dance Op. 12 No. 2\u003c\/a\u003e, to be included in a 10-minute program of candidate's choice.\u003c\/li\u003e\u003c\/ul\u003e\u003chr\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch1 align=\"center\"\u003ePiccolo Competition 2022\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eThe Piccolo Competition is open to candidates of all nationalities who are 18-30 years of age.\u003c\/p\u003e\u003cp style=\"text-align: center;\"\u003ePrizes:\u003c\/p\u003e\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003eFirst Place - 1500€\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003eSecond Place - 750€\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003eThird Place - 500€\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003ePreliminary Video Round:\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDaniel Dorff, \u003ca href=\"https:\/\/www.flute4u.com\/Dorff-D-Tweet.html\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eTweet for solo piccolo\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eMike Mower, \u003ca href=\"https:\/\/www.flute4u.com\/Mower-M-Sonata-for-Piccolo-and-Piano.html\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eSonata for piccolo and piano, Mvts. I \u0026amp; II\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003eFinal Video Round:\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eAntonio Vivaldi, \u003ca href=\"https:\/\/www.flute4u.com\/Vivaldi-A-Concerto-in-A-minor-RV-445.html\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eConcerto for flautino in a minor, RV 445\u003c\/a\u003e, to be included in a 20-minute program of candidate's choice.\u003c\/li\u003e\u003c\/ul\u003e\u003chr\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch1 align=\"center\"\u003eFlute Lovers Competition 2022\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eopen to flute enthusiasts of all nationalities over the age of 18 years.\u003c\/p\u003e\u003cp style=\"text-align: center;\"\u003ePrizes:\u003c\/p\u003e\u003cul\u003e\u003cli style=\"text-align: center;\"\u003eA flute gadget and an online lesson with international flute soloist Seiya Ueno\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003ePreliminary Video Round:\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eAstor Piazzolla, \u003ca href=\"https:\/\/www.flute4u.com\/Piazzolla-A-Tango-Etudes-D009790230948975.html\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eTango Etudes\u003c\/a\u003e (choose one)\u003c\/li\u003e\n\u003cli\u003eOne solo or accompanied piece of performer's choice\u003ca href=\"https:\/\/www.flute4u.com\/Mower-M-Sonata-for-Piccolo-and-Piano.html\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003eFinal Video Round:\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eKazuo Fukushima, \u003ca href=\"https:\/\/www.flute4u.com\/Fukushima-K-Requiem.html\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eRequiem for solo flute\u003c\/a\u003e to included in a 15-minute program of candidate's choice.\u003c\/li\u003e\u003c\/ul\u003e","products":[{"product_id":"aho-k-solo-iii-special-order-edition","title":"Aho, K :: Solo III Special Order Edition","description":"\u003cp\u003eKalevi Aho’s Solo III is a highly virtuosic work for flute alone. In the words of the composer:\u003c\/p\u003e\u003cp\u003e’The Solo III consists of two contrasting movements. The slow first movement was a commission of the Crusell Week Music Festival in Uusikaupunki, Finland, for the Scandinavian Flute Competition in Uusikaupunki August 1990. The first movement was a compulsory piece at the competition — the movement is like a single, endless melody, and it tests the sound quality of the flutist and his\/her ability to create long melodic phrases and a long, continuous musical form. The whole movement is based on a quarter-tone scale.\u003c\/p\u003e\u003cp\u003eAfter finishing the first movement in January 1990 I later decided to write also a second, fast movement for the Solo III. One year later, in January 1991, I composed its technically very demanding and virtuoso second movement, Presto. The Presto flows in a very fast perpetual motion in 1\/16-notes. The movement begins mysteriously in the lower register of the flute and gradually the music moves towards the upper register. At the same time its texture becomes more complex, with hidden polyphonics. The second movement ends with a wild prestissimo-culmination.’\u003c\/p\u003e\u003cp\u003eFor very advanced players.\u003c\/p\u003e","brand":"Novello Publishing","offers":[{"title":"Default Title","offer_id":46965188952358,"sku":"NOV120825","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/9000000NOV120825_d.jpg?v=1697454981"},{"product_id":"clarke-i-zoom-tube","title":"Clarke, I :: Zoom Tube","description":"\u003cp\u003eIC Music presents 'Zoom Tube' for solo flute by composer Ian Clarke. \u003c\/p\u003e\n\u003cp\u003eZoom Tube is a rhythmic blues influenced piece employing a raft of extended techniques to achieve its aims. New compositions are necessarily, consciously or subconsciously, influenced by other work. In the case of Zoom Tube, there are many inspirations: rhythm \u0026amp; blues, Bobby McFerrin, Stockhausen, Robert Dick, Ian Anderson, and South American flute playing spring to mind fairly immediately but I'm sure there's more if one wanted to delve further. I also wanted this piece to complement the piece called 'The Great Train Race\" that I had written for solo flute. This had been conceived as a fun and exhilarating work showcasing many extended techniques. I needed a still more diverse and exciting sound world to draw on. In the end, I hope I have achieved something new and exciting for the flautist that will surprise and inspire!\u003c\/p\u003e","brand":"IC Music","offers":[{"title":"Default Title","offer_id":46965234499878,"sku":"CLA075","price":30.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/files\/CLA075.jpg?v=1733942391"},{"product_id":"fukushima-k-requiem","title":"Fukushima, K :: Requiem","description":"\u003cp\u003e\u003cspan class=\"NameInDesc\"\u003eRequiem\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eFukushima, K\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eRequiem (1956)\u003c\/p\u003e","brand":"Suvini Zerboni","offers":[{"title":"Default Title","offer_id":46965239316774,"sku":"9792156002632","price":23.95,"currency_code":"USD","in_stock":true}]},{"product_id":"moszkowski-m-spanish-dances","title":"Moszkowski, M :: Spanish Dances","description":"\u003cp\u003e\u003cspan class=\"NameInDesc\"\u003eSpanish Dances\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eMoszkowski, M\u003c\/span\u003e\u003c\/p\u003e","brand":"Edwin F Kalmus","offers":[{"title":"Default Title","offer_id":46965468725542,"sku":"029156604962","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/C000029156604962.jpg?v=1697461894"},{"product_id":"kohler-e-virtuose-etuden-op-75-ii-virtuoso-studies-op-75-ii","title":"Kohler, E :: Virtuose Etuden op. 75 II [Virtuoso Studies op. 75 II]","description":"\u003cp\u003e\u003cspan class=\"NameInDesc\"\u003eVirtuose Etuden op. 75 II [Virtuoso Studies op. 75 II]\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eKohler, E\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eVirtuoso Studies, Op. 75 (Volume 2)\u003c\/p\u003e","brand":"Carolyn Nussbaum Music Company","offers":[{"title":"Default Title","offer_id":46965669593382,"sku":"73999239645","price":18.45,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/C000073999239645.jpg?v=1697465769"},{"product_id":"dorff-d-tweet","title":"Dorff, D :: Tweet","description":"\u003cp\u003eTheodore Presser presents 'Tweet' for solo piccolo by Daniel Dorff. \u003c\/p\u003e\n\u003cp\u003eThe composer writes about this piece, 'Looking for a musical idea that was uniquely piccoloistic (rather than flute music in a higher octave), the robins waking me up early every morning in May provided great inspiration, and one morning the opening theme and its contrasting theme poured out quickly. The form and development became a lot of fun to compose, with lots of elements of rondo, variations, and particularly using lots of timbre contrasts as a way to make a full sonorous experience out of an unaccompanied piccolo work.'\u003c\/p\u003e","brand":"Theodore Presser","offers":[{"title":"Default Title","offer_id":46966015656230,"sku":"9781598063424","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009781598063424.jpg?v=1697469241"},{"product_id":"various-flute-music-by-french-composers-1","title":"Various :: Flute Music by French Composers","description":"\u003cp\u003e\u003cspan class=\"NameInDesc\"\u003eFlute Music by French Composers\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eVarious\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eThe same great French collection now includes a CD of piano accompaniment along with the flute and piano sheet music. Practice with the CD so you can get a real feel and understanding of the full piece. You will gain a better understanding of the music and perform each piece more musically as you will be able to hear the piano part. Piano played by Jeannie Yu and Elena Abend.\u003c\/p\u003e\n\u003ch3\u003eContents\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAndante Pastoral et Scherzettino \u003c\/strong\u003e — Taffanel, Paul\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAndante et Scherzo\u003c\/strong\u003e — Ganne, Louis\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBallade\u003c\/strong\u003e — Perilhou, A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantabile et Presto\u003c\/strong\u003e — Enesco, G\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConcertino, op 45\u003c\/strong\u003e — Duvernoy, A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConcertino, op. 107\u003c\/strong\u003e — Chaminade, C\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFantaisie\u003c\/strong\u003e — Gaubert, Ph\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFantasie, op. 79\u003c\/strong\u003e — Faure, G\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNocturne et Allegro Scherzando\u003c\/strong\u003e — Gaubert, Ph\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePrelude et Scherzo, op. 35\u003c\/strong\u003e — Busser, H\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"G Schirmer","offers":[{"title":"Default Title","offer_id":46966080045350,"sku":"9781617806322","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009781617806322_d.jpg?v=1697470098"},{"product_id":"chedeville-n-il-pastor-fido-attributed-to-vivaldi","title":"Chedeville, N :: Il Pastor Fido (attributed to Vivaldi)","description":"\u003cp\u003e\u003cspan class=\"NameInDesc\"\u003eIl Pastor Fido (attributed to Vivaldi)\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eChedeville, N\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eIt was in 1990 more than 250 years after the publication of Il Pastor Fido that the masterful forgery was exposed: not Antonio Vivaldi but in fact the French composer Nicolas Chedeville (1705 1782) turned out to be the true author of this sonata collection, which was subtly foisted upon the unsuspecting Parisian public in the middle of the 18th Century, at the height of Vivaldi's popularity in France. Vivaldi himself never came to know anything of the misuse of his name and musical intellectual property.\u003c\/p\u003e\u003cp\u003eIl Pastor Fido offers a Melange of very simple movements and gallantries in the French style, as well as some throughout original movements of exceptionally fine music and powerful compositional ideas. Approximately ninety percent of Il Pastor Fido is Chedeville's own work; for the remainder, he adopted and built upon themes (or those which he thought to be) by Vivaldi, all the while demonstrating a thorough understanding of the style that he was striving to imitate.\u003c\/p\u003e\u003cp\u003eAs with all of Chedeville's other works and numerous other collections from the time, the original title mentions a series of instruments, all of which are suitable for performing these sonatas: the musette, hurdy-gurdy, flute, oboe and violin. Whilst the first two, which were popular instruments at the time and corresponded to the Arcadian sensibilities of the Age of Enlightenment, have long since been out of fashion, the flute is particularly well suited today to reflect the pastoral character noted in the title of the collection ( Il Pastor Fido : the Faithful Shepherd) of the music.\u003c\/p\u003e\u003cp\u003eThis Barenreiter Urtext edition was edited by the reputable Vivaldi scholar and conductor Federico Maria Sardelli. In addition to the musical text of the six sonatas (including a solo part, a realized accompaniment, and a figured bass), it contains a detailed preface (German\/English), which not only tells the enthralling story of the forgery and reveals the ingredients required for such a composition; it also contains inspiring information on performance practice, whilst presenting a critical report with references to readings and editorial decisions.\u003c\/p\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":46967525802278,"sku":"9790006559824","price":33.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790006559824_d.jpg?v=1697490687"},{"product_id":"telemann-gp-zwolf-fantasien-twelve-fantasias-1","title":"Telemann, GP :: Zwolf Fantasien [Twelve Fantasias]","description":"\u003cp\u003e\u003cspan class=\"NameInDesc\"\u003eZwolf Fantasien [Twelve Fantasias]\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eTelemann, GP\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eThis Barenreiter Urtext edition of the Twelve Fantasias for traverse flute without bass proves to be a faithful reflection of the age. Delight in playing, freedom in the form, in the time and in the key structure emphasize the improvisatory character of the works. The mosaic-like gaiety of the colors, along with the rugged architecture and a tendency to clearly-defined forms illuminate the antitheses which are peculiar to his genre. With regard to melody, Baroque emotions alternate with rococo-like delicacy.\u003c\/p\u003e\u003cp\u003eThe Fantasias for flute without bass address themselves less to the virtuoso than to the student and amateur flutist, who will find everything they wishe in these pieces. Although Telemann himself may have lost track of his works, the many flutists who have perfected their technique and musical interpretation with the help of these lovely Fantasias will never forget them.\u003c\/p\u003e\n\u003ch3\u003eContents\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e1. Fantasie fur Flute A-Dur TWV 40:2\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2. Fantasie fur Flute a-Moll TWV 40:3\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e3. Fantasie fur Flute TWV 40:4\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e4. Fantasie fur Flute TWV 40:5\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e5. Fantasie fur Flute TWV 40:6\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e6. Fantasie fur Flute TWV 40:7\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e7. Fantasie fur Flute TWV 40:8\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e8. Fantasie fur Flute TWV 40:9\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e9. Fantasie fur Flute TWV 40:10\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e10. Fantasie fur Flute TWV 40:11\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e11. Fantasie fur Flute TWV 40:12\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e12. Fantasie fur Flute TWV 40:13\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":46967543824678,"sku":"9790006428236","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790006428236_d.jpg?v=1697491371"},{"product_id":"copland-a-duo-for-flute-and-piano","title":"Copland, A :: Duo for Flute and Piano","description":"\u003cp\u003e\u003cspan class=\"NameInDesc\"\u003eDuo for Flute and Piano\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eCopland, A\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eThe quintessentially American composer, Aaron Copland (1900-1990), composed his Duo for Flute and Piano in memory of William Kincaid, the longtime Principal Flutist of the Philadelphia Orchestra who died in 1967. A group of friends, family, students and dedicated supporters of William Kincaid commissioned Copland in 1969 to pay homage to this great musician. The work was first performed by Elaine Shaffer and Hephzibah Menuhin at the Settlement Music School in Philadelphia, Pennsylvania in October 1971. Copland wrote that the work was naturally influenced by the fact that I was composing for Kincaid's students, not for future generations (although I hoped younger flutists would play Duo eventually). Also, I was using material from earlier sketches in my notebooks, and that may have influenced the style of the piece.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cblockquote\u003eDuo for Flute and Piano holds hints of Copland's jazz-inspired works from the 1920s and his famous folk- inspired ballet scores of the 1940s. The opening Flowing movement, a simple and introspective flute lament, gracefully leads into the wistful and reflective mood of the Poetic, somewhat mournful second movement; a fitting elegy to William Kincaid. The finale third movement, Lively, with bounce provides a high-spirited dance-inspired close; a brilliant and satisfying farewell.\u003cbr\u003e\u003cbr\u003e- CD Notes, Susan Hoeppner's American Flute Masterpieces\u003c\/blockquote\u003e","brand":"Boosey \u0026 Hawkes","offers":[{"title":"Default Title","offer_id":46967944511782,"sku":"9790051590193","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790051590193_d.jpg?v=1697497981"},{"product_id":"paganini-n-24-caprices-for-flute","title":"Paganini, N :: 24 Caprices for Flute","description":"\u003cp\u003e\u003cspan class=\"NameInDesc\"\u003e24 Caprices for Flute\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003ePaganini, N\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eMarina Piccinini's new arrangements of the Niccolo Paganini 24 Caprices remain true to his uncompromising artistic vision and showcases an array of challenging techniques that idiomatically exploit the unique tone and expressive range of the flute.\u003c\/p\u003e","brand":"Schott","offers":[{"title":"Default Title","offer_id":46968444223782,"sku":"9790800011511","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790800011511_d.jpg?v=1697512205"},{"product_id":"takemitsu-t-itinerant","title":"Takemitsu, T :: Itinerant","description":"\u003cp\u003e\u003cspan class=\"NameInDesc\"\u003eItinerant\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eTakemitsu, T\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eItinerant for solo flute was written in 1989 by Toru Takemitsu in memory of the sculptor, Isamu Noguchi, who was a friend to Takemitsu. This contemporary solo is classified as difficult and should be considered by flutists of the collegiate or higher level of playing. The first performance was given by Paula Robison at the Isamu Noguchi Museum in New York in 1989.\u003c\/p\u003e\u003cp\u003eIn keeping with traditions of Japanese gardening, Noguchi sought to transform existing spaces to show the natural beauty each location had always possessed. He believed that through sculpture and architecture, one could better understand mankind s struggle with nature. Takemitsu translated this to music as a struggle between silence and sound, or a fight to organize the natural element of sound into unnatural traditional Western forms.\u003c\/p\u003e\u003cp\u003e- Elizabeth A. Robinson, 2011\u003c\/p\u003e","brand":"Schott Japan","offers":[{"title":"Default Title","offer_id":46968445993254,"sku":"9790650010924","price":11.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/D009790650010924_d.jpg?v=1697512242"},{"product_id":"vivaldi-a-concerto-in-a-minor-rv-446","title":"Vivaldi, A :: Concerto in A minor, RV 445","description":"\u003cp\u003e\u003cspan class=\"NameInDesc\"\u003eConcerto in A minor, RV 445\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003eVivaldi, A\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eInternational Music Company presents Antonio Vivaldi's Concerto in A minor, RV 445 for piccolo, flute, or recorder edited by Jean-Pierre Rampal.\u003c\/p\u003e\u003cp\u003e'Known in his native Venice as the red priest, from the inherited colour of his hair, Antonio Vivaldi was born in 1678, the son of a barber who later served as a violinist at the great Basilica of St Mark. He studied for the priesthood and was ordained in 1703. At the same time he had won a reputation for himself as a violinist of phenomenal ability and was appointed violin-master at the Ospedale della Pieta. This last was one of four such charitable institutions, established for the education of orphan, indigent or illegitimate girls and boasting a particularly fine musical tradition. Here the girls were trained in music, some of the more talented continuing to serve there as assistant teachers, earning the dowry necessary for marriage. Vivaldi s association with the Pieta continued intermittently throughout his life, from 1723 under a contract that provided for the composition of two new concertos every month. At the same time he enjoyed a connection with the theatre, as the composer of some fifty operas, director and manager. He finally left Venice in 1741, travelling to Vienna, where there seemed some possibility of furthering his career under imperial patronage. He died there a few weeks after his arrival in the city, in relative poverty. At one time he had been worth 50,000 ducats a year, it seemed, but now had little to show for it, as he arranged for the sale of some of the music he had brought with him.\u003c\/p\u003e\u003cp\u003eThe ritornello that opens the Concerto in A minor for sopranino recorder, RV 445, is more restrained in pace, followed by a solo episode based on divided chords. Passages in C major and E minor lead to a solo section of virtuoso triplet figuration, ending in trills before the final orchestral ritornello. The strings start the A minor slow movement, with violins and violas providing a unison accompaniment to the soloist in the following passage, a moving aria. The duple time final movement again offers infinite variety within the limits of its structure, as solo episode succeeds episode in increasing brilliance.'\u003c\/p\u003e\u003cp\u003e- Keither Anderson\u003c\/p\u003e","brand":"International Music Company (IMC)","offers":[{"title":"Default Title","offer_id":46968514937126,"sku":"I2347","price":14.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/50000000000I2347_d.jpg?v=1697514109"},{"product_id":"piazzolla-a-tango-etudes-2","title":"Piazzolla, A :: Tango Etudes","description":"\u003cp\u003e\u003cspan class=\"NameInDesc\"\u003eTango Etudes\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"ComposerInDesc\"\u003ePiazzolla, A\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eEditions Henry Lemoine presents Astor Piazzolla's 'Tango etudes', or Etudes tanguistiques for flute, composed in 1987.\u003c\/p\u003e\u003cp\u003ePoverty drove Piazzolla's ancestors to emigrate from their homeland, and the young Astor was born of Italian parentage in Mar del Plata in Argentina on 11 March 1921. In 1925 the family moved to New York to try their fortune in the big city. As Astor Piazzolla has said himself, 'It was at the time of prohibition and the mafia...I hung around the streets more than I went to school...my musical world gradually grew up round jazz, Duke Ellington and Cab Calloway who I managed to hear at the door of the Cotton Club, although I was both too young and too poor to go in. My father used to play the old nostalgic tangos by Carlos Gardel on the gramaphone. For my ninth birthday he gave me a bandoneon (button accordian), and I had lessons with a teacher who introduced me to classical music'.\u003c\/p\u003e\u003cp\u003ein 1937 the Piazzolla family returned to Mar del Plata, but Astor was soon attracted more to the capital, and when only sixteen he moved to Buenos Aires, renting a small room as a lodger. He had been engaged as a bandoneon player in the band directed by Anibal Troilo, himself a specialist on the instrument, and was thus able to pay the rent with his first fees. At the same time he did not neglect his studies but took lessons in piano and harmony with a young teacher by the name of Alberto Ginastera, who went on to become a renowned composer.\u003c\/p\u003e\u003cp\u003ein 1946 Astor got his own 'tipica' band together, playing nothing but tangos. It was the springboard he needed for his own development: 'I played my own arrangements, and started using triple rhythms in what had been a very four-square rhythmic pattern up to then, and experimenting with bold harmonies'. His innovations, however, met with little success and the group disbanded. He renewed his studies even more enthusiastically and founded a new string orchestra - which led him right back to failure and bitter disillusionment. Still he persisted; his hard upbringing in New York had taught him to be stubborn, with an aggressive edge.\u003c\/p\u003e\u003cp\u003eThe turning point came when Astor travelled to Europe in the 1950s to study conducting with Hermann Scherchen, and met Nadia Boulanger, the famous teacher of composition in Paris. She showed him that his identity was not in intellectual music but in the tango, spiced with a touch of classical style and jazz, and moulded by his own intuitive sense.\u003c\/p\u003e\u003cp\u003eOnce back in Buenos Aires he formed his first octet in 1955 and, by using what he had learned from Ginastera and Boulanger, as well as phrasing borrowed from jazz, he made his tangos swing with new life. As was to be expected this caused quite a stir in the ranks of the conservative tango players, but Piazzolla was not to be deflected from his new course. From now on his tango was a distinctively modern form that he exploited with his new quintet which achieved fame for their 'tango nuevo'. International recognition was at last his, and concerts and recordings flowed unceasingly. From the 1960s until his death in July 1992, his success never stopped growing.\u003c\/p\u003e\u003cp\u003eFrom 1980 onwards, many classical guitarists started playing his music, and it was in response to a commission from the Argentinian guitarist Roberto Aussel that Piazzolla began writing for the guitar. His 'Histoire du Tango' for flute and guitar, as well as the 'Double Concerto' for guitar, banoneon, and string orchestra, are regularly performed and have been the subject of several recordings.\u003c\/p\u003e","brand":"Editions Henry Lemoine","offers":[{"title":"Default Title","offer_id":46968983388454,"sku":"9790230948975","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/files\/9790230948975.jpg?v=1772053966"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/collections\/Screen_20Shot_202021-11-26_20at_209.52.56_20AM_1.png?v=1697440012","url":"https:\/\/www.flute4u.com\/collections\/tampere-flute-fest.oembed","provider":"Carolyn Nussbaum Music Company","version":"1.0","type":"link"}