{"product_id":"the-art-of-playing-the-flute-volume-ii-embouchure","title":"The Art of Playing the Flute - Volume II: Embouchure","description":"\u003cp\u003eRoger Mather’s \u003cstrong\u003eThe Art of Playing the Flute\u003c\/strong\u003e is a series of three workbooks intended to cover all aspects of - what else? - the art of playing the flute. Each volume includes experiments in playing techniques to increase your control and your understanding of the flute, as well as exercises for developing said techniques into consistent habits.\u003c\/p\u003e\u003cp\u003eThese workbooks describe playing techniques in great detail, breaking down individual concepts (such as inhaling or raising pitch) into constituent physical and mental processes. This allows a deep understanding of why and how different techniques affect your playing, thus allowing greater control over every aspect of sound and technique.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVolume II: Embouchure\u003c\/strong\u003e is a comprehensive text on sound construction. Chapters include:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eI: Problems in Developing Your Embouchure\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003eIntuition is Unreliable\u003c\/li\u003e\n\u003cli\u003eContradictions among Teachings\u003c\/li\u003e\n\u003cli\u003eWhat Tone Color Should You Aim For?\u003c\/li\u003e\n\u003cli\u003eThe Mouth Is Not Innately Suited to the Flute\u003c\/li\u003e\n\u003cli\u003eEmbouchure Details and Their Individuality\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eII: What You Need to Know About How the Flute Works\u003cbr\u003e\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003eSound Waves\u003c\/li\u003e\n\u003cli\u003eSound Waves in the Flute\u003c\/li\u003e\n\u003cli\u003eOvertones and Fingerings\u003c\/li\u003e\n\u003cli\u003eThe Air Reed\u003c\/li\u003e\n\u003cli\u003eAir Flow Resistance\u003c\/li\u003e\n\u003cli\u003eLoudness\u003c\/li\u003e\n\u003cli\u003eUsing Air Efficiently\u003c\/li\u003e\n\u003cli\u003eNoise in the Flute Sound\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIII: Introduction to Tone Color\u003cbr\u003e\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003eTone Colors of the Vowel Series\u003c\/li\u003e\n\u003cli\u003eVarying the Tone Color of Your Radio\u003c\/li\u003e\n\u003cli\u003eEffect on Tone Color of Rolling In and Out\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIV: Developing Your Basic Embouchure\u003cbr\u003e\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003eFinding the Best Place to Make Your Lip Opening\u003c\/li\u003e\n\u003cli\u003ePositioning the Flute\u003c\/li\u003e\n\u003cli\u003eFinding the Lowest Practical Position\u003c\/li\u003e\n\u003cli\u003eConfirming the Length of the Air Reed\u003c\/li\u003e\n\u003cli\u003ePlacing the Flute into Position Quickly\u003c\/li\u003e\n\u003cli\u003eMinimizing Pressure of the Embouchure Plate\u003c\/li\u003e\n\u003cli\u003eDirecting the Air Reed Downward\u003c\/li\u003e\n\u003cli\u003ePucking versus Smiling\u003c\/li\u003e\n\u003cli\u003eAdvancing, Raising, and Lowering Your Jaw\u003c\/li\u003e\n\u003cli\u003eFinding the Best Air Pressure\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eV: Changing Pitches\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eThe First (Bottom) Octave\u003c\/li\u003e\n\u003cli\u003eThe Second (Middle) Octave\u003c\/li\u003e\n\u003cli\u003eThe Third (Top) Octave\u003c\/li\u003e\n\u003cli\u003eThe Fourth (Altissimo) Octave\u003c\/li\u003e\n\u003cli\u003eTongued Intervals\u003c\/li\u003e\n\u003cli\u003eRising and Falling Slurred Intervals\u003c\/li\u003e\n\u003cli\u003eIncreasing Slur Accuracy\u003c\/li\u003e\n\u003cli\u003eShading the Pitch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVI: Varying Your Loudness\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003eDiminuendo and Crescendo without Embouchure Changes\u003c\/li\u003e\n\u003cli\u003eMaintaining Intensity and Practice\u003c\/li\u003e\n\u003cli\u003eDistortion in Playing Loudly\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVII: Varying Your Tone Color\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003eThe Principle Colors\u003c\/li\u003e\n\u003cli\u003eThe Round Tone Color\u003c\/li\u003e\n\u003cli\u003eSpecial Tone Colors\u003c\/li\u003e\n\u003cli\u003eTechniques for Varying Color\u003c\/li\u003e\n\u003cli\u003eRecommended Flute Specifications\u003c\/li\u003e\n\u003cli\u003eDeveloping Your Ability to Color\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVIII: Further Desirable Qualities for Your Sound\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003eThe Transparent Sound\u003c\/li\u003e\n\u003cli\u003eThe Floating Sound\u003c\/li\u003e\n\u003cli\u003eExcitement in Your Sound\u003c\/li\u003e\n\u003cli\u003eDepth of Tone\u003c\/li\u003e\n\u003cli\u003eFlexibility\u003c\/li\u003e\n\u003cli\u003eThe Personal Sound\u003c\/li\u003e\n\u003cli\u003eSolidity\u003c\/li\u003e\n\u003cli\u003eAuthority in Your Playing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Romney Press","offers":[{"title":"Default Title","offer_id":46964314177830,"sku":"ROMNEY02","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0827\/3559\/5814\/products\/p-89.jpg?v=1697440375","url":"https:\/\/www.flute4u.com\/products\/the-art-of-playing-the-flute-volume-ii-embouchure","provider":"Carolyn Nussbaum Music Company","version":"1.0","type":"link"}