Adams, HL :: Night Song
H. Leslie Adams is known for his deeply personal compositional language; a sound that lies somewhere beyond Debussy, with a lush sense of jazzy romance. His 'Night Song' for flute and harp is no exception. Like many of the standard yet small repertoire works for flute and harp - Lutoslawski's '3 Fragments', Ibert's 'Entr'acte', Jongen's 'Danse Lente' - the harpist takes a leading role, with the flutist variously adding color, emphasizing melodic lines and counterpoint, or outlining sparkling filigree about the harp's steady lines.
Notably, Adams also enhances the textural possibilities of the ensemble with several well-applied Salzedo techniques in the harp. The flute, in contrast, uses extended technique sparingly - a few notes of flutter-tongue for color, and neo-Romantic tone painting otherwise.
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